Training Example: Allied Artists International, Inc. – Review the Data, Give Your Score & Compare to the Real AI Evaluation

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[H3] Allied Artists International, Inc.

Over the years, ALLIED ARTISTS has produced and distributed thousands of films. Though it originally dealt with early talkies, soundtracks, and cartoons, the corporation is now involved in motion picture production and television for various studios, remaining active in musical and television productions, as well as music videos
[H6] Allied Artists has produced some truly memorable films, including Don Siegels paranoid masterpiece, Invasion of the Body Snatchers. Throughout the years, Allied Artists has released such award winning movies as Cabaret; Papillon; The Wild Geese; El Cid; The Pawnbroker; and such camp cult classics as The Blob, The Attack of the Fifty Foot Woman, and The Queen of Outer Space, to name just a few. Through the golden age of the low budgets, Allied Artists and Monogram Pictures were responsible for many iconic motion pictures.

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[H6] By the early 1930's, only a handful of the independents had configured themselves into cheaper versions of the typical studio system. One of the most important was Monogram Pictures, originally located at 4516 Sunset Blvd., then relocated to 1040 N. Las Palmas Ave. In 1935, Monogram merged into Republic, becoming an independent company again a year later, and moving, once again, over to Sunset Drive and Hoover Street. Monogram thrived on the success of the Bowery Boys and the Cisco Kid, but under its designated movie subsidiary, Allied Artists.
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[H1] ABOUT
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[H1] MUSIC
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[H1] FILM
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[H1] DISTRIBUTION
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[H2] ABOUT
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[H2] MUSIC
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[H2] FILM
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[H2] DISTRIBUTION
[H2] MOVIES UNDER THE ALLIED ARTISTS NAME

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[H6] Cabaret is a 1972 American musical film directed by Bob Fosse and starring Liza Minnelli, Michael York and Joel Grey. Cabaret was nominated for 10 Academy Awards in 1973, and nearly performed a clean sweep, winning 8.
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[H2] MUSICIANS UNDER THE ALLIED ARTISTS NAME

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[H1] Rocky
Kramer

[H6] Hailing from the Scandinavian Peninsula country of Norway, Rocky Kramer is truly a modern day Viking, poised to take no prisoners as he conquers the hearts, minds and souls of rockers around the world!

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[H2] Allied Artists is a proud member of:

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[H3] Over the years, Allied Artists has produced and distributed literally thousands of films. Though the company was one of the pioneers of talkies, it was also one of the first motion picture companies to release soundtrack records and produce cartoons. Today, Allied Artists finds itself parenting motion picture and television productions in collaboration with other studios, while remaining active in recorded music and music video productions.
The company’s history is long and varied.
The company’s history is a long and varied one. It became a household name during the dawn of motion pictures when ALLIED ARTISTS RECORDS was originally the soundtrack division of ALLIED ARTISTS. In record time, it became one of the first companies in Hollywood to produce motion picture soundtracks, releasing hundreds of soundtracks throughout the years, with numerous recording artists in worldwide release.In its evolution, ALLIED ARTISTS has branched out into several divisions, yet all its endeavors have always underscored the value, talent, and creativity of the individual performing artist and/or musical group. The Board of Directors, guided by its Chairman, has vowed to shepherd ALLIED ARTISTS through the millennium by taking full advantage of technology and all its advances. In keeping with its tradition of conducting business in the entertainment field from the perspective of the performing artist, the corporation’s officers have vowed to expand our open door policy through technology.
[H3] Over the years, ALLIED ARTISTS has produced and distributed thousands of films. Though it originally dealt with early talkies, soundtracks, and cartoons, the corporation is now involved in motion picture and television production for various studios, remaining active in musical and television productions, as well as music videos.
The company’s history is a long and varied one. It became a household name during the dawn of motion pictures when ALLIED ARTISTS RECORDS was originally the soundtrack division of ALLIED ARTISTS. In record time, it became one of the first companies in Hollywood to produce motion picture soundtracks, releasing hundreds of soundtracks throughout the years, with numerous recording artists in worldwide release.In its evolution, ALLIED ARTISTS has branched out into several divisions, yet all its endeavors have always underscored the value, talent, and creativity of the individual performing artist and/or musical group. The Board of Directors, guided by its Chairman, has vowed to shepherd ALLIED ARTISTS through the millennium by taking full advantage of technology and all its advances. In keeping with its tradition of conducting business in the entertainment field from the perspective of the performing artist, the corporation’s officers have vowed to expand our open door policy through technology.
[H2] AN INTRODUCTION TO ALLIED ARTISTS INTERNATIONAL, INC.
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[H4] ALLIED ARTISTS INTERNATIONAL, INC.
Entertainment is big business and when managed correctly and responsibly, can and will be extraordinarily profitable. In today's industry, the entertainment corporation that can utilize a business model with the ability to build a foundation of consistent releases over many channels (film, video and music) while integrating cross-marketing platforms to exploit these properties within a global economy, will realize success. ALLIED ARTISTS INTERNATIONAL, INC. is just such a company. The ALLIED ARTISTS' name is well recognized with more than 90 years of history behind it. With its Music Group subsidiaries ALLIED ARTISTS RECORDS, BRIMSTONE RECORDS and ALLIED ARTISTS MUSIC AND VIDEO DISTRIBUTION, and the Film Group subsidiaries, ALLIED ARTISTS PICTURES, MONOGRAM PICTURES, and ALLIED ARTISTS FILM DISTRIBUTION, ALLIED ARTISTS INTERNATIONAL, INC. encompasses all the subdivisions and auxiliary channels necessary to capitalize on this growing and increasingly competitive industry.

The story of the pre-recorded music industry over the last two decades has been one of transformation: from physical to digital; downloads to streaming; ownership to access. The industry is finally working with its partners on another ongoing transformation: from years of decline to sustainable growth. Indeed, in 2016 the global recorded music market grew by 5.9%, the fastest rate of growth since the International Federation of the Phonographic Industry (IFPI) began tracking the market in 1997. This was a second consecutive year of global growth for the industry, with revenue increasing in the vast majority of markets, including nine of the top ten. (Source: IFPI, Global Music Report 2017: Annual State of the Industry). Estimated retail revenues from recorded music in the United States grew 11.4% in 2016 to $7.7 billion. The primary driver of that growth was a doubling of paid streaming music subscriptions which helped the American music business experience the largest gain since 1998. At wholesale values, the industry was up 9.3% to $5.3 billion. Although the Recording Industry of Association of America (RIAA) 2016 revenue report catalogues substantial overall improvement for the industry, revenues are still only about half what they were in 1999, and revenues from more traditional unit-based sales (physical products and digital downloads) continued to decline significantly. (Source: RIAA). However, as CD and digital sales have declined in the wake of streaming services like Spotify and Pandora, vinyl record sales are actually on the rise. In fact, the vinyl format has seen 260% growth since 2009. It seems millennials have discovered the wonders of vinyl records. While CDs sit on shelves, vinyl supply is having a hard time keeping up with demand. As unlikely as it appeared 10 years ago, vinyl is making a comeback. (Source: Forbes). ALLIED ARTISTS MUSIC GROUP stands as a group of independent boutique labels ready to service niche markets. The Music Group has the potential for unparalleled success in an evolving industry of crossover music and burgeoning foreign sales. For music, the biggest growth in retail sales is found in the international markets, where ALLIED ARTISTS established itself as the premier record label dating back to the 1960's.

Likewise, involvement in the film industry can be equally advantageous. Of course, the ALLIED ARTISTS and MONOGRAM PICTURES names have a long history in the motion picture arena. Star-studded, larger budget action films are normally "popular" by virtue of their star power alone, but not always profitable. Therefore, it is necessary to craft an intelligent crossover merchandising plan, while capitalizing on post-market revenue and non-box office sources, in order to ensure profitability. The global film industry shows healthy projections for the coming years, as the global box office revenue is forecast to increase from about 38 billion U.S. dollars in 2016 to nearly 50 billion U.S. dollars in 2020. The U.S. is the third largest film market in the world in terms of tickets sold per year, only behind China and India. Just under 1.2 billion movie tickets were sold in the U.S. in 2016. There are about 5,800 cinema sites in the U.S. as of 2016. According to a recent survey, 13 percent of Americans go to the movies about once a month, seven percent go see movies in the movie theater several times a month, whereas 31 percent go less than once a year. This is a considerable share taking into account the 52 percent of American adults who prefer watching movies at home. Film entertainment is big business in the United States. It is expected that the film entertainment business will generate 35.3 billion U.S. dollars in revenue by 2019. ALLIED ARTISTS INTERNATIONAL, INC. has all these avenues covered. Its flagship brands, ALLIED ARTISTS PICTURES and MONOGRAM PICTURES are re-emerging as the industry force they once were!

There is a synergy between record production and distribution and film production and distribution that today are both timely and profitable. ALLIED ARTISTS INTERNATIONAL, INC. and its subsidiaries have the ability to pair Music Group recording artists with Film Group productions, thereby further exploiting motion picture soundtracks for more gross revenue. Also on track for use as an auxiliary promotional, sales and marketing tool is a multi-task Internet website where users can hear music, view music videos and pre-order both music from our catalog and corresponding merchandise. Internet promotion creates efficiencies and eliminates wasted time. Technological innovation will be the future's competitive differentiator, and given that, ALLIED ARTISTS INTERNATIONAL, INC. is re-establishing itself to the forefront of the entertainment industry.
[H2] ALLIED ARTISTS INTERNATIONAL, INC.’S MISSION

Our mission is to entertain the masses. Although ALLIED'S origins are in motion pictures, the Company has additionally concentrated on music - recording artists, compilations and motion picture soundtracks. We are an entertainment business which can produce big or small budget feature films, home videos, streaming films, music, music videos, streaming music and theme merchandising. Our keys to success include securing the following resources:
“Quality Talent … Quality Music … Best Music Producers and Engineers … Best Film Producers and Directors … Quality Scripts … Comfortable Working Environment Conducive to Creativity … Common Goals in the Workplace ... A hands-on, working board of directors ... Employees with a Vested Interest in the Welfare of the Company ... Solid Distribution Alliances ... Solid marketing, sales and promotional campaigns … Marketing Dollars to Chase Product ... Accessibility of music and film catalog … Internet as an Essential Promotional, Sales and Marketing Tool”
[H2] OBJECTIVES

ALLIED ARTISTS INTERNATIONAL, INC. prides itself on cost-effectively creating quality products with an eye toward innovation. The Company's plans for a strong, fiscally sound future embrace the tenets of all successful businesses; technical excellence, financial security, business savvy, and moral and ethical responsibility. Keeping these in mind, we set forth the following goals:
[H3] 1Acquisition of name talent and artists, and securing viable scripts and music:
Using our many resources and strategic alliances, we will continue to aggressively seek out name artists, quality music, scripts and film projects.
[H3] 2Production of product:
We will utilize all the resources available to us and to our subsidiaries to produce quality product, both in the music and film industries, in a timely and responsible manner.
[H3] 3Bringing product to market:
We will utilize all the resources available to us and to our subsidiaries to introduce our product to the public market, both in the music and film industries, in a timely and fiscally responsible manner.
[H3] 4Marketing product:
Our goal here is to build brand identity and brand awareness for the ALLIED ARTISTS name, while responsibly promoting and marketing our product. Utilizing sound marketing campaigns, tie-in promotions, tours, endorsements, sponsorships, print, radio and television media exploitation and any other necessary tools we have available to effectively publicize our product.
[H3] 5Internet promotion:
We believe the dramatic growth of the Internet is indicative of a burgeoning promotional resource. We are currently exploiting our website as an auxiliary marketing and sales tool in order to promote pre-orders and merchandising in both the music and film industries. Presently, our website is enjoying well over a million visitors annually. Obviously, visibility is the key to promotion, and any mechanism reaching more than a million people per year is an effective tool.
[H2] ALLIED ARTIST’S INTERNATIONAL, INC. MANAGEMENT

ALLIED ARTISTS INTERNATIONAL, INC. and all its subsidiaries will acquire, develop and distribute commercially viable entertainment for the global market place. As the surviving division and successor-in-interest of the venerable MONOGRAM PICTURES / ALLIED ARTISTS PICTURES companies formed between the era of silent films and the emergence of the talkies, we have a colorful and varied past that serves as inspiration for the future. ALLIED ARTISTS INTERNATIONAL, INC. will take its place among its multi-media competitors and will emerge as a technology conscious leader within the entertainment industry. ALLIED ARTISTS INTERNATIONAL, INC. consists of four divisions: ALLIED ARTISTS MUSIC GROUP (records, publishing, soundtracks, distribution, etc.); ALLIED ARTISTS FILM GROUP, consisting of ALLIED ARTISTS PICTURES; ALLIED ARTISTS FILMS & MONOGRAM PICTURES; ALLIED ARTISTS BROADCASTING (television production) and ALLIED ARTISTS MUSIC & VIDEO DISTRIBUTION. The parent corporation is administered by a Board of nine Directors. The corporate structure is as follows:

[H2] Chairman of the Board and Chief Executive Officer:

Kim Richards possesses over 30 years of experience and a distinguished history of accomplishments in the music, film and television industries. He has earned more than 100 gold, platinum and diamond records, as well as numerous Grammy and Emmy nominations. Chief among his credits is Pink Floyd's "The Wall," which has been certified diamond at 23 million copies, making it the third highest grossing album of all time, behind only the Eagles Greatest Hits and Michael Jackson's Thriller. Mr. Richards' video productions have won at both the New York and Cannes Film Festivals. In the 1970's, while simultaneously working towards his undergraduate and law degrees, Mr. Richards worked in Artist Development and Productions at RSO Records, leaving for CBS Records in 1979.  On loan from CBS, he became Special (music) Projects Producer in 1981 for ABC Television in Hollywood. In 1983, Mr. Richards began his association with Allied Artists, as Vice President of Productions. He was rapidly promoted and by 1987, he was named Chairman and CEO of Allied. Throughout his career, Mr. Richards has worked with literally thousands of artists across a wide variety of genres, including such notables as Pink Floyd, Andy Gibb, Queen, Styxx, Renegade, ELO, The Spinners, David Naughton, Steely Dan, Robbie DuPree, Luis Cardenas, Iron Butterfly, Exodus, Mike Pinera, Brad Delp (Boston), Alice Cooper, Kevin DuBrow (Quiet Riot), The Osmond Brothers, Donny Osmond, Andy Williams, The Fifth Dimension, Neil Diamond, Jermaine Jackson, Carol King, Crosby, Stills, Nash & Young, Blues Image, Della Reese, Glen Campbell, Paul Anka, Tom Jones and Engelbert Humperdink.

Mr. Richards is a voting member of the National Academy of Recording Arts and Sciences, and has held advisory positions with the Recording Industry Association of America (RIAA) and the National Association of Recording Merchandisers (NARM). As a member of the RIAA technology committee, Richards helped establish the standards for, and introduction of Compact Discs.  At the time,

[H1] ALLIED ARTISTS MUSIC GROUP
Allied Artists Records is the flagship record label originally founded as a division of Allied Artists Pictures Corporation in 1971. The emphasis of the label was the production and exploitation of music created for use in motion picture soundtracks. Over the years, Allied Artists Records became a wholly owned subsidiary of its parent and ventured into stand-alone record releases. By the 1980's, Allied Artists Records had signed a number of pop, rock, metal, progressive, classical and country artists. With a plethora of gold and platinum offerings under its belt, Allied Artists Records administered its divisions Monogram Records and Allied Artists Music Co., while acquiring other labels, such as Brimstone Records and Vista Records, ultimately rebranding its collective music holdings as Allied Artists Music Group by the millennium. As Allied Artists Film Group expanded its theatrical distribution into home video, Allied Artists Music Group merged its physical and digital product distribution into the now unified Allied Artists Music & Video Distribution (AAMVD) and began offering sub-distribution deals to "distributed" boutique labels. Below are some of the music products either in release or scheduled to be released in the near future.
[H5] Rocky Kramer
[H5] Renegade
[H5] Alex Cole
[H5] Luis Cardenas
[H5] Cablejuice
[H5] Resonance
[H5] Eek A Mouse
[H5] Sweetwater

[H1] ALLIED ARTISTS FILM GROUP
[IMG: Allied Artists Film Group]
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[H3] Allied Artists & Monogram Pictures Historical* Resume

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Allied Artists & Monogram Pictures Historical* Resume
PDF LINK TO THE MOVIES HISTORICALLY PRODUCED UNDER THE ALLIED ARTISTS NAME
(click here)
The Allied Artists and Monogram Pictures names have always stood for cost effective, yet quality entertainment product. There have been a number of motion picture houses known for their ability to produce movies inexpensively. Many such companies have not only produced “cheap” movies – often dubbed “B’s” - but some have successfully modeled themselves after larger studios, earning multiple Academy Awards along the way. By the early 1930’s, only a handful of the independents had configured themselves into cheaper versions of the studio system. One of the most important was Monogram, which was originally located at 4516 Sunset Blvd., then relocated to 1040 N. Las Palmas Ave. In 1935, Monogram merged into Republic, becoming an independent company again one year later, and moving, once again, over to Sunset Drive and Hoover Street. Monogram made money on the Bowery Boys and the Cisco Kid, but under its intended “A” movie subsidiary, Allied Artists, also produced some truly memorable films, including Don Siegel’s paranoid masterpiece, Invasion of the Body Snatchers. Throughout the years, Allied Artists has released such award winning movies as Cabaret; Papillon; The Wild Geese; El Cid; The Pawnbroker; and such camp cult classics as The Blob, The Attack of the Fifty Foot Woman, and The Queen of Outer Space, to name just a few.
[IMG: Allied Artists Film Group]
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The Allied Artists and Monogram Pictures names have always stood for cost effective, yet quality entertainment product. There have been a number of motion picture houses known for their ability to produce movies inexpensively. Many such companies have not only produced “cheap” movies – often dubbed “B’s” - but some have successfully modeled themselves after larger studios, earning multiple Academy Awards along the way. By the early 1930’s, only a handful of the independents had configured themselves into cheaper versions of the studio system. One of the most important was Monogram, which was originally located at 4516 Sunset Blvd., then relocated to 1040 N. Las Palmas Ave. In 1935, Monogram merged into Republic, becoming an independent company again one year later, and moving, once again, over to Sunset Drive and Hoover Street. Monogram made money on the Bowery Boys and the Cisco Kid, but under its intended “A” movie subsidiary, Allied Artists, also produced some truly memorable films, including Don Siegel’s paranoid masterpiece, Invasion of the Body Snatchers. Throughout the years, Allied Artists has released such award winning movies as Cabaret; Papillon; The Wild Geese; El Cid; The Pawnbroker; and such camp cult classics as The Blob, The Attack of the Fifty Foot Woman, and The Queen of Outer Space, to name just a few.
[H2] Our Films
[H5] Attack of the 50 Foot Woman
[H5] Cabaret
[H5] El Cid
[H5] House on Haunted Hill
[H5] Papillon
[H5] Queen of Outer Space
[H5] The Blob
[H5] The Pawnbroker2
[H5] The Wild Geese
[H5] Tickle Me