Training Example: KV2 Audio – Review the Data, Give Your Score & Compare to the Real AI Evaluation

[H2] News
[IMG: KV2 Audio returns to ABTT Theatre Show with Roman Bar demo space ]
[H2] KV2 Audio returns to ABTT Theatre Show with Roman Bar demo space
28/5/2026London, UK, June 3-4, 2026 – KV2 Audio is delighted to announce its return to the ABTT Theatre Show following a successful appearance at last year’s event. Once again, the Czech loudspeaker manufacturer will take over the Roman Bar for the duration of the show, transforming the space into a dedicated demonstration facility. Read more »
[IMG: KV2 Audio returns to InfoComm 2026 — and brings the full point-source experience to Las Vegas]
[H2] KV2 Audio returns to InfoComm 2026 — and brings the full point-source...
15/5/2026InfoComm is one of the world’s leading professional AV trade shows, drawing technical professionals, integrators, and decision-makers from across the live events, houses of worship, sports arenas, nightclubs, hospitality, and installed sound sectors. Held annually at the Las Vegas Convention Center, the event offers a hands-on environment for exploring the latest in audio, video, and integrated experience technology. Read more »
[IMG: KV2 Audio strengthens Central American presence with Costa Rica showcase hosted by Cubism Production]
[H2] KV2 Audio strengthens Central American presence with Costa Rica...
12/5/2026San José, Costa Rica, May, 2026 -  KV2 Audio, a world-renowned leader in live sound technology, is expanding its presence in Central America following a successful demonstration event hosted by its distribution partner, Cubism Production, in Costa Rica. Cubism Production has operated in the Czech and Slovak markets since 2010, offering expert services in planning, monitoring, and implementing live event solutions, from mass music events and corporate parties to company presentations and trade fairs. Made up of creative and production professionals across various fields, the Cubism Production team delivers high-quality, flexible installations, even when faced with the most demanding...Read more »
[IMG: KV2 Audio returns to PLASA Focus Leeds with a dedicated theatre demo room]
[H2] KV2 Audio returns to PLASA Focus Leeds with a dedicated theatre demo...
27/4/2026Leeds, UK, May 12-13, 2026 -  KV2 Audio will return to Leeds for this year’s PLASA Focus, bringing its award-winning True Point Source sound back to the Royal Armouries. Following last year’s success, KV2 will once again take over the on-site Bury Theatre for the duration of the two-day event to host a walk-in demo room experience. As one of the UK’s key gatherings for live AV professionals, PLASA Focus continues to provide an exciting opportunity to connect with members from the UK’s live events industry, from long-term integration partners to prospective customers. Representatives from the UK team will be available throughout the show at Stand R-C01 to discuss the latest innovations and...Read more »More news »
[H2] References
[IMG: Ministry of Sound, The Box]
[H3] Ministry of Sound, The Box
For over two decades, KV2 Audio has made a name for itself as a go-to solution for nightclub sound systems across the world. Now, the loudspeaker manufacturer is taking on one of the UK’s most iconic music venues – Ministry of Sound – delivering a comprehensive system to power the newly refurbished main room.
Read more »
[IMG: Adriatique live in Jordan]
[H3] Adriatique live in Jordan
Iconic Swiss duo, Adriatique, recently made their debut appearance in Jordan as they performed an energetic DJ set at The Cliff. To ensure every electronic beat and techno rhythm resonated perfectly throughout the night, event production specialists Triad AV were tasked with providing a high-performance solution.
Read more »More references »
[H2] Release Notes
[H3] 2026-05-28: New version (v13) of the Product Overview brochure
Download PDF
[H3] 2026-03-10: New version of the References brochure
New version (V17) of the References brochureDownload PDF file
[H3] 2026-03-03: Updated VHD2.18J EASE Focus file
New version (ver2) of VHD2.18J EASE Focus fileDownload GLL fileMore release notes »

KV2 Audio » Technology

A New Standard
Three Key Elements of Sound
Definition and Distance
Dynamic Range vs Digital Sampling
Electronic Integrity
Transducer Design
Sound System Design

[H1] A New Standard

After years of research and development, KV2 Audio is pleased to announce a new standard in live sound reinforcement.

Super Live Audio or as we refer to it ‘SLA’ has been developed through KV2’s efforts to achieve the highest possible dynamic range and the lowest possible losses, caused through distortion or the altering of signal as it passes through the audio chain. Further to this, rather than develop technologies that try to compensate or fix problems in a system’s design, KV2 focuses on building systems that are inherently superior from the start.

Our SLA standard reproduces high sound pressure levels in large spaces whilst delivering true dynamic range and source representation. There are a number of factors that KV2 have identified that make up SLA and the resulting benefits it provides to the listener. These factors include electronic integrity (settling time), digital sampling rates, pulse response, dynamic range and acoustic system design.

[H1] Three Key Elements of Sound

To understand how the principles of SLA provide superior audio performance, we first need to look at the three main parameters that make up sound – frequency, level and time. While this may be common knowledge to most, we are often surprised how people focus on certain specifications like frequency response or sound pressure level, without truly understanding their relevance in respect to a system’s overall performance. All three sound elements need to be properly replicated to achieve the optimum in sound reproduction and reinforcement.

By looking at the limitations of human hearing, we have a specification that if met by the systems performance will provide natural, uncolored sound to the audience. As shown in Figure A below, normal human hearing is from 0 to 120 dB+ of signal level and 20Hz to 20kHz in frequency range. What is often neglected is the importance of resolution in time.

Human hearing is able to recognise time definition, (the difference in incoming sounds), down to 10 microseconds and latest research has found that it may be as low as 5 microseconds. Much of a sound’s spatial and directional information is directly related to the time component of the signal. For these reasons, extremely fast circuitry and high sampling rates are required to ensure total reproduction of the soundwaves arriving at micro second intervals to the microphone.

Most discussions relating to sound system design revolve around level and frequency response but fail to consider one of the most important factors – time; the speed at which the electronics and digital converters can process audio signals without loss or distortion.

[H1] Definition and Distance

Fundamentally, the effect of a poor quality system comprising of inferior electronics, transducers and acoustic design is a lack of definition and detail, but equally important in a live audio situation is the distance in which a system can project clear defined audio. To maintain high-quality sound, especially at a long distance, it is vitally important that each part of the audio chain is of the utmost integrity. The quality of each component in the signal path will determine the amount of information loss. The system must be capable of transferring an unchanged sound, including the ambience of a performance over distance at the required level to provide the greatest possible experience for the listener. As the area of coverage increases, the demand grows for system resolution and dynamic range. These factors will be determined by the quality and speed of the attached electronics, digital sampling rates, transducers and acoustic design, all of which are key elements of SLA.

Dynamic range is a system’s ability to reproduce the softest signals to the very loudest. In this context, the different signals captured from multiple sources on stage may vary from the threshold of hearing to over 120dB and they should all be replicated accurately by the system relative to the engineers mix of those sources. It is therefore a requirement that when the system is operating at high SPL it has the ability to clearly transmit the low level intricate detail of the performance. For example, we should be able to hear the breath noise of a flute player through the volume of a drum kit.

Dynamic Range is not a pre-requisite of a system’s SPL capability, high SPL does not directly equate to high dynamic range. In fact many systems are delivering high amounts of non-harmonic distortion when operating at high levels. While this may exhibit the system has high SPL capability, this distortion becomes apparent in the high frequency range significantly masking the weaker parts of the signal. This masking has the effect of erasing a large proportion of the detailed information thus causing a significant reduction in clarity. The artificially changed signal makes it impossible to transmit the ambience or real atmosphere of the original sound to the listener, particularly over distance.

Effect of distance on the quality of sound transmission with different quality sound devices

[H2] Harmonic Distortion and Non Harmonic Distortion Audibility

Non-linearity of the acoustic system presents Harmonic Distortion, which is related to the original signal. Multiples of the fundamental Harmonic signal within the spectrum is presented, consisting of even and odd Harmonic distortion components.

Odd harmonic distortion is caused by disturbances in both half-wavelengths of periodic signal, (Typically established at the amplifier limitation). Even harmonic distortion is caused by disturbances in one half-wavelength, (Typically established at high acoustic pressures, as 2nd harmonic distortion is a function of the acoustic pressure).Listening tests show that odd harmonic distortion is audible form 0.1%, whilst even harmonic distortion is audible form 1%.

Non-harmonic distortion is not related to the original signal, it is caused by the slow reaction of the system due to inadequate damping of the acoustic components and filters, and this also creates extraneous noise to be added to the original signal, exhibiting unpredictable behavior of the system. A typical representation and expression of non-harmonic distortion is caused by a long settling time, a low sampling rate and poor DSP processing power.

Non-harmonic distortion is extremely audible depending on the character, but is often confused and mistaken as high frequency content within the original signal, in effect masking the true response and thus is unable to be transferred correctly over distance.

The audio signal consists of many components, harmonics, noises and disturbances across the spectrum and is complex. It is therefore true to say that its properties are closer to random signals. It follows that the distortion of a complex audio signal creates a complex noise level, which masks and disturbs the low levels of the original signal. Just 1% distortion of a complex signal creates a broadband noise floor at a level of -40dB. Practical tests have proven that we can hear a 1Khz sine wave tone with 0dB level with white noise at levels of -70 to -80dB. What this demonstrates is that a high distortion system will completely mask low level signals, i.e. (The color of sound) All-specific designed KV2 Audio transducers and components exhibit extremely low distortion, (below 0.1%, example –you can hear the singer breathing) and this presents new experiences not previously heard of sound reproduction with clear and very high dynamic definition.

[H1] Dynamic Range vs Digital Sampling

As previously stated, live music has the capability of producing a dynamic range in excess of 120dB. To reproduce this through an audio system with a suitable degree of headroom, a dynamic range capability of around 130dB is required. It is impossible for most digital AD and DA converters running industry standard PCM (Pulse Code Modulation) digital conversion of 24Bit/96kHz to replicate this level of dynamic range. Secondly, while a 96kHz sampling rate has been deemed adequate when professionally converting an audio signal consisting solely of harmonic signal components, analog audio signals have complex harmonics and overtones and therefore should be regarded as random signals. The spectrum of random signals is infinitely wide, so when converting analog signals to digital, the sampling rate must be as high as possible in order to maintain quality of the transferred signal in full resolution.

At KV2 we undertook a different approach to digital to overcome the inherent problems in existing systems. We looked at an alternate conversion process developed by Sony™ and Philips™ called Direct Stream Digital or DSD. The Super Audio CD (SACD) is based on this digital format and unlike PCM conversion, DSD technology is based on a 1 Bit Sigma-Delta converter that produces a stream of pulses. The amplitude of the analog waveform is represented by the density of pulses and is called Pulse Density Modulation (PDM). The resulting digital bit stream is encoded at an enormous 2,822,400 samples per second! (2.8224MHz) Practical listening tests were undertaken by our engineers to determine the minimal sampling frequency required to eliminate any audible information loss. The result saw KV2 design a circuit based around DSD with a sampling frequency of an incredible 20MHz using a 1 Bit Sigma-Delta PDM converter. KV2s new digital converter delivers resolution seven times higher than the pro audio industry 24bit/96KHz standard.

A special step compander circuit adds a further 20dB of dynamic range to utilise the maximum range of the converter at low levels. KV2 Audio’s hybrid signal processing uses the best of analog and digital technology to provide all necessary filtering, equalization and time alignment to our speaker systems. This best of both worlds approach provides unmatched dynamic range and audio reproduction.

Pulse response and the ability to capture and reproduce a sound’s time component is the key to clarity, definition, spatial image and depth.

[H1] Electronic Integrity

To maintain a high-resolution audio signal, it is also important for the system to maintain the shortest possible impulse response time. Impulse response time is affected by the settling time and circuit design in analog electronics. The settling time of common electronics systems used in most commercial sound systems is around 10μs, ten times longer than it should be. The distortion, created by slow settling times is not commonly discussed by many manufacturers as they fail to understand its significance, often overlooking it in providing the technical specifications of products. Moreover the noise this distortion adds is very often mistaken for original high frequency, especially in digital technologies where it can exhibit itself as a bright, “fizzy” high end.

Sampling frequency is the major determining factor of impulse response in the digital domain. In Figure B (below) it is evident that commonly used commercial systems, particularly digital, cannot pass the full resolution of the original signal. Impulse response time is affected in the digital domain by the sampling rate and in the analog signal path by the speed of the electronics (settling time) and control of the acoustic component motion (speaker movement). The change in the original signal caused through poor impulse response creates distortion. Systems with a long impulse response time are unable to transfer high dynamics and high definition signals. SLA systems incorporate hybrid signal processing at an industry leading sample rate of 20MHz and electronic settling time of 1 microsecond (1μs), to ensure audio reproduction with the highest possible resolution and definition.

Figure B

[H2] Amplification

KV2 Audio design amplifiers from the ground up for specific applications. This approach allows us to employ and refine the perfect types of power required for accurately reproducing highs, mids and bass frequencies. Low frequency devices have a unique set of requirements. Woofers are large, heavy and difficult to keep under control. On one hand you need lots of power, but besides cone size and weight, the single most important trait is the woofer’s phase shift characteristics. Simply put, phase shift is when current does not follow voltage as power flows through a voice coil. If you are sending 1,000Circuitry2 watts (100 volts and 10 amps coming out of the amplifier) under phase shift conditions, you may be required to produce double the amps at half the voltage in order to keep the woofer under control. A standard amplifier cannot accommodate this so we developed a new amplifier topology focused on developing high current but achieving over 90% efficiency to minimize cooling requirements and increase reliability. The design features a switching voltage power supply that keeps the voltage across the output devices low, but capable of providing much higher current and better damping characteristics than standard Class H designs. For sound quality reasons in mid range and high frequency reproduction we use amplifier topologies based on Class A or Class AB. The warmth and clarity provided by this type of amplifier is ideal. Our design uses Mosfet output devices in a push-pull, transformer balanced amplifier featuring a fast recovery time. The amplifier’s output transformer provides a vital technique for controlling the output signal of the amplifier under clipping by reducing the intermodulation distortion.

[H1] Transducer Design

One of the most important parameters in transducer design for Super Live Audio Systems, is the removal of unwanted resonances. These resonances are usually caused by the mechanical design of the speaker and its failure to control the diaphragm motions. Resonances reduce overall definition by masking smaller signals and producing tones not related to the original signal. Figure C below shows an original sine signal (red, top) with its sharply defined end and the same reproduced signal (blue, bottom), still oscillating after the signal stops due to poor control of speaker mass. Poor pulse response has a very negative effect on the ability of a speaker to reject feedback.

Figure C

Every loudspeaker used in a KV2 Audio system is specifically designed. This leads to the development of components that become the ultimate solution for their given application, not just an off the shelf driver. One of the most challenging projects undertaken by the team was the development of our new NVPD range of compression drivers. The idea came during an Italian lunch, where we discussed a new nitrate coating used in Formula One racing, offering extreme strength and rigidity. Extremely light, it is

KV2 Audio » News » KV2 Audio returns to InfoComm 2026 — and brings the full point-source experience to Las Vegas

[H1] KV2 Audio returns to InfoComm 2026 — and brings the full point-source experience to Las Vegas
15/5/2026
[IMG: IC26_web01]
InfoComm is one of the world’s leading professional AV trade shows, drawing technical professionals, integrators, and decision-makers from across the live events, houses of worship, sports arenas, nightclubs, hospitality, and installed sound sectors. Held annually at the Las Vegas Convention Center, the event offers a hands-on environment for exploring the latest in audio, video, and integrated experience technology. KV2 Audio is gearing up for an exciting return to InfoComm 2026, where it will showcase its leading audio solutions. Known for its exceptional point source designs, KV2 continues to push the boundaries of high-performance sound across both live and installed environments. Led by US Sales Representative Max Clixby, the KV2 team will be exhibiting at stand N6031 in the North Hall, where visitors are invited to explore the company’s latest innovations and real-world applications of its loudspeaker portfolio.

For a hands-on listening experience, the KV2 team will host dedicated demos in Audio Demo Room N222 on the second floor of the North Hall. These demonstrations will feature the precision-engineered ES and ESR systems, alongside active EX and passive ESD models, highlighting KV2’s commitment to delivering clear, consistent, high-quality audio. Each one-hour session gives attendees a controlled acoustic environment in which to evaluate the systems – something rarely possible on a busy show floor.

“InfoComm is one of the most important meeting points for the pro-audio community, and the Audio Demo Rooms allow us to do what KV2 does best – let the systems speak for themselves,” says Max Clixby. “Whether you’re specifying for a house of worship, a touring rig, a club, or a corporate space, you’ll hear exactly why our True Point Source philosophy keeps winning over engineers and integrators around the world.”

Designed for live performance and permanent installations, KV2 loudspeakers embody the brand’s True Point Source philosophy, ensuring precise coverage, natural sound reproduction, and a consistent listening experience no matter the space. From large-scale touring applications to high-end fixed installs, the systems on display in N221 represent KV2’s continued investment in clarity, dynamics, and long-term reliability – a true testament to the company’s ongoing mission of delivering The Future of Sound. Made Perfectly Clear.

Visitors to InfoComm 2026 will find KV2 Audio at booth N6031 in the North Hall of the Las Vegas Convention Center, as well as in the Audio Demo Room N222 for live demonstrations. Exhibits run June 17–19, 2026, with Audio Demo Rooms open from Tuesday, June 16.

[H2] Demo Schedule

KV2’s Audio Demo Room N221 runs on an hour-on / hour-off rotation, with each session lasting a full 60 minutes. That means plenty of time to hear the systems in detail, ask questions, and discuss specific applications with the KV2 US team. Sessions on Tuesday start at 11 a.m.; Wednesday through Friday they start at 9 a.m. and follow the same daily schedule. Drop in at the time that suits you – no pre-registration required, all sessions are included with your Exhibit Hall Pass.

Wednesday – Friday · June 17–19
Same schedule each day

9:00 AM – 10:00 AM
60 Min Demo

11:00 AM – 12:00 PM
60 Min Demo

1:00 PM – 2:00 PM
60 Min Demo

3:00 PM – 4:00 PM
60 Min Demo

[H2] Meet the Team

Want to talk through an upcoming install, plan a custom demo, or just chat audio? Reach out to our US Sales Representative directly – on site at InfoComm or any time afterwards.

Max Clixby
Sales Representative, USA
P: 702.850.0291
E: Max@KV2Audio.com

Booth N6031 · Audio Demo Room N222 · Las Vegas Convention Center, North Hall · June 16–19, 2026.

KV2 Audio » About Us

Welcome to KV2 audio
Made in Czech with
Passion and Pride
George Krampera
Technical Talks

[H1] Welcome to KV2 Audio

Just for a few minutes, forget everything else you have read about speaker system design and think about what truly defines clear, quality sound.

Today we live in a world that has compromised audio quality. Technological advancements now try to bend the rules of physics, focus on slick user interfaces and create virtual equipment in an effort to save space and money. Digital Sound Processing is everywhere, manufacturers strive to control every aspect of sound reproduction but all the while it moves us further and further from the original source, its timbre and dynamics. Capturing the emotion and ambience of a performance has become secondary. At KV2 the true reproduction of the original sound and its dynamics are the key elements in the development of our products. We have bucked industry trends and broken industry standards to find the best possible audio solutions both analog and digital. We don’t simply gauge our system’s performances on published specifications; we gauge it by the smiles on people’s faces.

As we move through the digital evolution the limitations of our imaginations have expanded into the virtual but the laws of nature can’t be denied. At KV2 we strive to bring art and science together, to reveal the true emotion in a performance. Our products are designed not just to provide a solution for sound reproduction; they are built with the intention of providing the optimum listening experience and enjoyment for the audience. To deliver something special, something beyond expectation. KV2 builds plug and play systems that save you money, are fast and easy to set up, suitable for venues of all sizes and simply provide superior sound quality to any competing product.

With incredibly low distortion and extremely high definition, KV2’s point source systems give you the capability to cover more people with less equipment delivering real value in quality sound reinforcement.

“We have bucked industry trends and broken industry standards to find the best possible audio solutions both analog and digital. We don’t simply gauge our system’s performances on published specifications; we gauge it by the smiles on people’s faces.”

[H2] Made in Czech with Passion and Pride

Located in Southern Bohemia, KV2 represents many of the unique aspects that are seeing Eastern European manufacturers prosper in these difficult economic times. It’s about the people, the place and strong traditions in education, the arts and industry. Prior to World War II, Czechoslovakia was one of the most industrialised countries on earth. The subsequent invasions of the country bankrupted its economy.

Today the country is again prospering thanks to the resilience and hard work of its people. Unique in its make up, KV2 draws on it’s Czech heritage.

More pictures of the factory

The thing you immediately notice when visiting KV2, is the employees’ strong connection with what they do, their genuine interest in the company and their desire to build equipment to the highest standard for end users around the world.

This 100,000 sq foot facility is fully renovated to meet KV2’s needs. We have implemented state of the art manufacturing lines and a high quality paint shop. We constructed one of the largest anechoic chambers in the world for testing and expande our R&D lab, along with new offices and warehousing. But despite all this, we are still located in the small town of Milevsko, where it all began, employing local people and building on those strong Czech traditions.

[H3] George Krampera

George Krampera was truly one of the audio pioneers of modern times. He built audio equipment for nearly fifty years, and millions of people experienced sound produced from equipment he designed. Through his long and successful career, George’s vision remained unchanged: to eliminate distortion and loss of information in the signal path, thus providing sound reproduction that has true dynamic range and representation of the source.

Growing up in the Czech Republic, his father a notable technician, as a child George played with valves and other components, building his first radio before he was ten. His interest in music and sound grew and by the age of fourteen, George was building power amps and other equipment for local bands in Prague. George continued his electronic training after leaving school and worked as a technician in Prague repairing various pieces of equipment while retaining a strong connection with the local music scene.

The Russian invasion of Czech in 1968 brought tough times for the country and as George built his career, he became increasingly concerned about the future of the country and the safety of his family. In August of 1983 George loaded his young family into their car and left everything they owned behind to escape to Austria. Once safely across the border George was granted asylum status and a few months later they departed for Canada.

“KV2 today is the culmination of one man’s life long search for perfect sound.”

It wasn’t long before George found himself drawn back to the music industry taking a job with Yorkville Sound. There George designed many of their guitar and keyboard amplifiers and a complete range of processed speaker systems. After leaving Yorkville, George started his first company Rexx, which built high quality solid-state guitar amplifiers. In their first year of production Rexx out sold Marshall in Canada, testimony to the quality and value of the product. After a change in ownership Rexx fell on hard times and George decided to head back to Europe taking up a job offer with Italian speaker manufacturer, RCF.

George’s goal at RCF was to work with and improve transducers. This was the final part of the chain he felt he needed to master to achieve perfect sound reproduction. Heading a team of young engineers, George made a number of break throughs at RCF including the development of the silicone spider. He also designed the complete ART active speaker series, which was a hugely successful line for the company. George left RCF when it was sold to Mackie and continued his work in transducer development at B&C.

By the late nineties George had relocated back to his homeland of Czech forming his own pro audio design company, Class A. Here using B&C components he worked on a large format active system that could cover big crowds and distances with optimum quality and clarity. In partnership with one of his old team from RCF, Marcelo Vercelli, the pair started Fusion and took their new speaker system to a large US trade show where Greg Mackie was suitably impressed by the products and made them an offer to join Mackie.

George found himself back at RCF, which was then owned by Mackie and in his role there apart from putting Fusion into production, he designed a range of speakers for Mackie. Sales of these new boxes skyrocketed but George’s real passion was for designing high quality equipment. George and his old partner Marcelo left Mackie to form their second company, which was clearly represented by its name, K for Krampera, V for Vercelli and 2 being their second venture. A third integral link came about with another of George’s old RCF colleagues, Andrea Manzini, who became involved with a new transducer manufacturer called Eighteen Sound.

Working closely with Andrea, George co-designed components to match the products he wanted to develop. This strategic alliance along with his expertise in cabinet design and electronics, built the perfect platform for George to follow his vision, a vision realized today in the products of exceptional performance and quality built by KV2. George established a group of brilliant young engineers, who he mentored and directed to continue his legacy and ensure his vision will continue well into the future.

George Krampera‘s original R&D lab still stands, nestled by a stream down the road from the new factory. It was here where George developed the original range of KV2 speakers. Many of the new R&D team are studying electronics at the local university and their knowledge of cutting edge technology such as digital processing, combined with George’s years of experience and understanding on exactly how to achieve the best performance out of any piece of equipment, creates an incredibly creative and productive atmosphere which will continue to flourish.

KV2 is not a large-corporate company pumping out products at the lowest possible price point, to maximise profitability. It is a small hands-on manufacturer, focused on quality and most importantly the sound of its products - something that many companies seem to regularly overlook in the race to develop the latest, so-called ‘advancement’ in technology. It's also certified according to ISO 14001:2015 and quality management system according to ISO 9001:2015 confirming its systematic approach to minimizing environmental impact and continually improving our sustainability practices and quality management.

In 2026 KV2 will celebrate its twenty-fourth birthday. It is still the same small, vibrant company it was when it started, a company with a passion for building high quality pro audio products, products that continue to deliver performance beyond expectation.