Training Example: oeksound – Review the Data, Give Your Score & Compare to the Real AI Evaluation

[IMG: soothe3 screenshot]
[H2] soothe3
Soothe harshness, save time. Soothe3 identifies problematic resonances on the fly and applies matching reduction automatically.

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[IMG: bloom screenshot]
[H2] bloom
An adaptive tone shaper. It analyzes the character of a signal and applies corrections to the perceived tonal balance for a more even and refined sound.

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[IMG: spiff screenshot]
[H2] spiff
An adaptive transient processor that lets you control transients with great detail.

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[IMG: soothe live screenshot]
For Avid VENUE
S6L
and Fourier Audio transform.engine
[H2] soothe live
A dynamic resonance suppressor for live audio. It reimagines oeksound's Soothe technology for the live environment.
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[IMG: soothe3 screenshot]
[H2] soothe3
[H3]
soothe harshness, save time
Remove harshness from any sound source
Target shifting resonances automatically
Clean up muddiness, boominess, and proximity effect
Tame shrill or piercing sibilance
Get polished sounds while tracking with zero latency
what's new in soothe3 Try Buy Rent-to-own Upgrade
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You're downloading soothe3 (1.0.4) for macOS.Download not starting? Try an alternative download link.If you're still having trouble, please refer to our support page.
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You're downloading soothe3 (1.0.4) for Windows.Download not starting? Try an alternative download link.If you're still having trouble, please refer to our support page. Includes a fully featured 20-day trial. Other downloads • Technical specifications
[IMG: soothe3 screenshot]
[IMG: Person using Soothe3 in a studio environment, general view]
[H3] dynamic resonance suppressor
Soothe3 identifies problematic resonances on the fly and applies matching reduction automatically. This results in a smoother, more balanced sound and saves you from having to notch out frequencies by hand. The reduction only kicks in when and where needed, without affecting nearby frequency areas. This preserves the timbre of the original sound source resulting in a transparent treatment with minimal artifacts.
[IMG: A portrait of Thomas Warren]
The biggest upgrade from Soothe2 is easily the new detail knob. It makes the processing feel much more surgical and precise, especially on vocals. I like how smoothly it tames harsh frequencies without over-processing the signal. Also loving the sidechain response between my kick and bass
[H6] Thomas Warren
Charli XCX, Dominic Fike, Lizzoread more testimonials
[IMG: Person using Soothe3 in a studio environment, closeup view]
[H3] tame vocal harshness
Vocals are full of resonances, from the voice to the choice of microphone, mic placement, room acoustics, and more. Soothe smooths out harshness in real time, improving clarity, balance, and overall tone without sacrificing detail. With its low latency mode, Soothe3 can also be used while tracking, helping performers hear a more polished sound from the start.
[H3] dial it in
Instead of spending time notching resonances, add Soothe and jump straight to deciding which resonances you want to suppress and how much. In soft mode, Soothe3 tackles most problems transparently, making it a safe starting point for any sound source. Hard mode, on the other hand, is more reactive to dynamics, which can be useful when going for a compressor-like grab. Hard mode is also suited for overdoing it as a creative effect, à la Soothe2.
[IMG: Quickstart video thumbnail]
quickstart video
Your browser does not support video.Play video Soothe3 used by user in an operating system environment
[H3] dive deep
When you need to dive deeper, Soothe3 has you covered. If you need different settings for your low end, the tilt controls are a quick solve. If stereo isn’t enough, Soothe3 has multichannel support up to 9.1.6. If you’d prefer linear phase, it’s just two clicks away. More control in a cleaner package.
[H3] continuous improvement
We released the original Soothe in 2016. With each iteration, we’ve redesigned the algorithm to improve sound quality, performance, and flexibility, while retaining ease of use. Soothe2 received numerous awards and praise from Grammy-winning engineers and producers, becoming a staple in mixes worldwide. With Soothe3, we’ve made another major leap in transparency, usability, and versatility.
[IMG: Overview video thumbnail]
overview video
[H3] what’s new in soothe
find out
[H3] technical specifications
Windows 10 - 11 (no ARM support)64-bit VST3 and AAX (Pro Tools 2018.1 and up)Mac OS X 10.14 (Mojave) – macOS 26 (Tahoe) *64-bit VST3, AU and AAX (Pro Tools 2018.1 and up)* Apple Silicon Macs supported; Intel support up to macOS 15 (Sequoia).
[IMG: VST3 Logo]
[IMG: AU Logo]
[IMG: AAX Logo]
VST is a trademark and software of Steinberg Media Technologies GmbH.
[H3] iLok
iLok account and iLok License Manager installation required. iLok dongle is not required. Online access required for the initial activation of the product and trial. One license allows activation of the product on 3 machines. Licenses are valid for both Windows and macOS platforms.Please ensure system and DAW compatibility by using the free, fully featured trial license before committing to purchasing a full license. All purchases are final.
[H3] try before you buy
Download Soothe3 and use it on your own projects for 20 days without any limitations.
The presets will get you up and running in no time.
After the trial, if you find yourself reaching for Soothe3, you know where to find us.
download for macOS
download for Windows

[H2] try soothe3
download for macOS
download for Windows
Includes a fully featured 20-day trial. Need help? Check out our support page.

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[IMG: bloom screenshot]
[H2] bloom
[H3]
what we wish an EQ would do
Control irregularities in a rough sound
Increase warmth, clarity, or brightness in a safe and controlled fashion
Transform the tone of a sound with natural-sounding results
Track through Bloom with low latency mode
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You're downloading bloom (1.1.2) for macOS.Download not starting? Try an alternative download link.If you're still having trouble, please refer to our support page.
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You're downloading bloom (1.1.3) for Windows.Download not starting? Try an alternative download link.If you're still having trouble, please refer to our support page. Includes a fully featured 20-day trial. Other downloads • Technical specifications
[IMG: bloom screenshot]
Your browser does not support video.Play video Bloom used by user in an operating system environment
[H3] find your tone with bloom
Bloom is an adaptive tone shaper. It analyzes the character of a signal and applies corrections to the perceived tonal balance for a more even and refined sound. It also lets you shape the tone and character of a track, for example, by adding warmth, brightness, or clarity. Tonal adjustments made with Bloom are dynamic and context-aware. This, together with its carefully designed user interface, makes the plug-in quick and intuitive to use and helps keep the material sounding natural, even when making radical changes.
[H3] fits the occasion
Bloom boosts and cuts frequencies only when needed, helping to mitigate energy build-ups and reveal more detail. It lets you make tonal changes quickly while being considerate of the source material. For example, you can boost the high-end on vocals without emphasizing unwanted sibilance. With Bloom, bright doesn’t need to mean shrill, and big doesn’t need to mean boomy. Use it to shape tone with confidence.Your browser does not support video.Play video Bloom used by user in an operating system environment
Your browser does not support video.Play video Bloom used by user in an operating system environment
[H3] starting point or finishing touches
Bloom can work as a good starting point when shaping a sound. Useful for quickly crafting single tracks towards a cohesive mix, it’s also equally functional as a bus processor, whether for sculpting groups or sensitively shaping a master. Get your mix up to speed effortlessly, or dive deeper to bring that exact sound you envisioned to life.
[IMG: A portrait of Buddy Ross]
I had access to the Bloom beta for a couple months before release and it’s made its way onto every project I’ve been working on since. Bloom has been great for giving life to any track or bus that isn’t holding my attention enough or that I can’t wrangle with individual plugins. I like to throw a couple instances in series on my instrumental bus and just sift thru presets to add new dimensions to things I didn’t even realize were dull before. My go to to presets are Bye Bye Boxiness, Parallel Soft Width, Side Exciter, and Mix Bus Sheen.
[H6] Buddy Ross
Frank Ocean, Bon Iver, Travis Scottread more testimonials
[H3] make it personal
A good mix is not one-size-fits-all. Bloom can do a lot of the heavy lifting, but at the end of the day, it’s your ears that decide what’s right. Bloom’s four tone controls allow you to shape the tone freely to your liking. The controls change the overall tonal balance Bloom is working towards rather than making absolute cuts or boosts, as found in an EQ. This way, you can reach your vision fast without needing to compensate for bigger moves or automate around problems.Your browser does not support video.Play video Bloom used by user in an operating system environment
Your browser does not support video.Play video Bloom used by user in an operating system environment
[H3] squash sounds into shape
When bolder moves are needed, crank Bloom’s amount control to engage squash mode. With squash engaged, Bloom applies frequency-dependent upward and downward compression to reduce the dynamic range of the signal and mold it towards the specified shape. Use it to subtly bring out detail or dramatically over-emphasize it, adding grit without saturation.
[H3] so… what is it exactly?
In addition to being a quick broad-strokes EQ tool, Bloom can be thought of as our take on a color box. It can give character, glue, or grit to your sound in a way that fits your vision. You might use it in place of a dynamic EQ, multiband compressor, saturator, or even compressor, but it falls under none of these categories. We call it an adaptive tone shaper.
[IMG: testimonials]
testimonials
[IMG: A portrait of Andrew Maury]
Bloom is an adventure every time; you’ll discover colors and energy you didn’t know were hiding in your audio. Since the beginning of beta testing, its had a classic oeksound interface that encourages experimentation and quick results. It's great for potent tonal shifts and snappy compression. I expect to see Bloom both used and abused!
[H6] Andrew Maury
Shawn Mendes, Tones And I, Madi Diazread more testimonials
[H3] our process behind bloom — three questions
The idea for Bloom came from research questions we’ve studied since 2018. The initial research question was, What is warmth in audio? and later in an unrelated venture, we studied the question: What is presence? Both led us down a rabbit hole involving the balance of overtone series and a third research question: How do we bring out and balance overtones present in a sound? This was the basis for Bloom’s first prototypes, and from there, Bloom started to take form as a tone shaper.Two years of critical listening followed, leading to numerous prototypes and thousands of incremental improvements to the DSP. A lot of this process is about seeing how the plugin reacts to different sound sources and iterating until it behaves in the way we want it to. In parallel, we spent a lot of time testing how to present the idea to the user in an approachable way. After testing users’ interactions with different designs, we landed on one that not only felt the best but also helped us and our testers make the best-sounding decisions. One of the bigger challenges of Bloom was giving the user all the control they need while making sure the plug-in is still fun to work with.The end result is something novel and far more complex than we initially imagined. But Bloom still follows our ethos. It offers new ways to manipulate audio, presented in an approachable manner.
[IMG: Quickstart video thumbnail]
quickstart video
[IMG: Overview video thumbnail]
overview video
[H3] technical specifications
Windows 10 – 11 (no ARM support)64-bit VST3 and AAX (Pro Tools 2018.1 and up)Mac OS X 10.14 (Mojave) – macOS 26 (Tahoe) *64-bit VST3, AU and AAX (Pro Tools 2018.1 and up)* Apple Silicon Macs supported; Intel support up to macOS 15 (Sequoia).
[IMG: VST3 Logo]
[IMG: AU Logo]
[IMG: AAX Logo]
VST is a trademark and software of Steinberg Media Technologies GmbH.
[H3] iLok
iLok account and iLok License Manager installation required. iLok dongle is not required. Online access required for the initial activation of the product and trial. One license allows activation of the product on 3 machines. Licenses are valid for both Windows and macOS platforms.Please ensure system and DAW compatibility by using the free, fully featured trial license before committing to purchasing a full license. All purchases are final.
[H3] try before you buy
Download Bloom and use it on your own projects for 20 days without any limitations.
After the trial, if you find yourself reaching for Bloom, you know where to find us.
download for macOS
download for Windows

[H2] try bloom
download for macOS
download for Windows
Includes a fully featured 20-day trial. Need help? Check out our support page.

Try
Buy
Rent-to-own
[IMG: spiff screenshot]
[H2] spiff
[H3]
cut or boost transients where it matters
Remove mouth clicks and other subtle noises
Add clarity and expression to instruments
Push sounds forward or back in a mix without affecting their volume
Add dynamics and detail to an over-compressed mix
Try Buy Rent-to-own
download for macOS

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[H3] your download should start shortly...
You're downloading spiff (1.4.4) for macOS.Download not starting? Try an alternative download link.If you're still having trouble, please refer to our support page.
[H3] your download should start shortly...
You're downloading spiff (1.4.4) for Windows.Download not starting? Try an alternative download link.If you're still having trouble, please refer to our support page. Includes a fully featured 20-day trial. Other downloads • Technical specifications
[IMG: spiff screenshot]
[H3] take control of your transients
Spiff is an adaptive transient processor that lets you cut or boost transients with great detail. Spiff analyzes the incoming signal and recognizes when and where transients appear adaptively. Its time- and frequency-specific controls let you take charge of your transients, no matter how big or small. Spiff’s unique approach to transients opens up possibilities not usually associated with transient control.Your browser does not support video.Play video Spiff used by user in an operating system environment
[IMG: A portrait of Alan Meyerson]
Spiff is really one of a kind. It takes a completely new approach to transient design and I immediately found great uses. I’m actually going to remix a percussion project I’m doing so I can add Spiff. It’s that good.
[H6] Alan Meyerson
Hans Zimmer, James Newton Howard, John Powellread more testimonials
[IMG: Screenshot of spiff]
[H3] hear spit? use spiff
Originally Spiff was designed to remove mouth clicks in vocal recordings. Mouth clicks occur when a vocal is recorded close to the microphone and often become an issue when high frequencies are boosted, and compression is added. Use Spiff to save time when editing vocals, voiceovers, and podcasts.
[H3] spiff it up
Engaging the boost mode transforms Spiff into a powerful transient enhancer – adding attack to drums and other rhythm material. However, Spiff’s adaptive approach gives you additional control over which transients to boost and in which frequency area. Boost fundamentals on drums without additional boominess or bring any sound to the front of a mix without increasing their RMS level.Your browser does not support video.Play video Spiff used by user in an operating system environment
[IMG: A portrait of Rik Simpson]
The best thing about digital recording can sometimes also be the worst. The accurate capturing of transient information can be fatiguing and indeed painful to listen to. Analogue tape used to round the edginess of transients off and make them creamy and lovely to listen to, now Spiff does a similar job (and so much more!), oeksound have another winner on their hands, it's all over my new mixes.
[H6] Rik Simpson
Coldplay, Jay-Z, Portisheadread more testimonials
[IMG: Screenshot of spiff]
[H3] cut it out
In addition to mouth clicks, Spiff’s detailed transient recognition offers a number of other mixing solutions: Soften the pick attack of a guitar recording while retaining the top-end shimmer or soften transients over a whole mix, similar to tape saturation. For more extreme applications: make an electric bass sound fretless, or create room mics out of overheads.
[H3] no bands means no artifacts
Where traditional transient shapers work as compressors and envelope shapers over one or more bands, Spiff approaches transients differently. It analyzes the incoming signal using spectral analysis and applies cuts or boosts using dynamic filters. Spiff does not use any crossovers in the process, which eliminates any possibility of crossover artifacts that can occur in multiband transient processors.
[IMG: Screenshot of spiff]
[IMG: Logo]
...an intriguing and very modern plug‑in that allows unprecedented levels of manipulation over the transient information in your audio. read review
[IMG: Logo]
It’s another winner from oeksound. A versatile, effective transient processor that you won’t know you need until you try it, and then you won’t be able to go back! read review
[H3] technical specifications
Windows 7 - 11 (no ARM support)64-bit VST, VST3 and AAX (Pro Tools 11 and up)Mac OS X 10.14 (Mojave) – macOS 26 (Tahoe) *64-bit VST, VST3, AU and AAX* Apple Silicon Macs supported; Intel support up to macOS 15 (Sequoia).
[IMG: VST3 Logo]
[IMG: AU Logo]
[IMG: AAX Logo]
VST is a trademark and software of Steinberg Media Technologies GmbH.
[H3] iLok
iLok account and iLok License Manager installation required. iLok dongle is not required. Online access required for the initial activation of the product and trial. One license allows activation of the product on 2 machines. Licenses are valid for both Windows and macOS platforms.Optional hardware accelerated rendering: OpenGL 2.1 or newer support on the graphics card chipset, with latest graphics card drivers provided by the card vendor.Please ensure system and DAW compatibility by using the free, fully featured trial license before committing to purchasing a full license. All purchases are final.
[H3] try before you buy
We encourage you to explore using Spiff creatively. Fuel your inspiration by adding Spiff to a track and learning what it reacts to. The integrated tutorial and presets will get you up and running in no time. Download Spiff and try it out for 20 days without any limitations.
download for macOS
download for Windows
[H2] try spiff
download for macOS
download for Windows
Includes a fully featured 20-day trial. Need help? Check out our support page.