Training Example: Yale Repertory Theatre – Review the Data, Give Your Score & Compare to the Real AI Evaluation

[IMG: Kimber Elayne Sprawl and J. Quinton Johnson (center) with members of the company in a scene from Zora Neale Hurston’s Spunk. New Songs, Arrangements, and Music Supervision by Nehemiah Luckett; Choreography by nicHi douglas; directed by Tamilla Woodard. Yale Repertory Theatre, October 3-25, 2025. Photo © Joan Marcus.]

[IMG: Yale Rep Equity, Diversity, and Inclusion flag]

[H3] WE WELCOME

ALL Abilities and Disabilities
ALL Gender Identities
ALL Immigrants and Refugees
ALL Nations of Origin
ALL Races and Ethnicities
ALL Religions and Creeds
ALL Sexual Orientations

[H3] EVERYONE.

[H3] Land Acknowledgment

Yale University acknowledges that indigenous peoples and nations, including Mohegan, Mashantucket Pequot, Eastern Pequot, Schaghticoke, Golden Hill Paugussett, Niantic, and the Quinnipiac and other Algonquian speaking peoples, have stewarded through generations the lands and waterways of what is now the state of Connecticut. We honor and respect the enduring and continuing relationship that exists between these peoples and nations and this land.

[H3]
[H3] Binger Center for New Theatre
Yale’s Binger Center for New Theatre is an artist-driven initiative that devotes major resources to the commissioning, development, and production of new plays and musicals. Since 2008, the Binger Center has supported the work of more than 60 commissioned artists and underwritten the premieres and subsequent productions of more than 30 new plays and musicals at Yale Rep and theatres across the country.
Learn More

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[H3] Past 2025-26 Productions

[H4] Spunk

October 3 – October 25, 2025
New Songs, Arrangements, and Music Supervision by Nehemiah Luckett
Choreographed by nicHi douglas
Directed by Tamilla Woodard

[H4] Hedda Gabler

November 28 – December 20, 2025
By Henrik Ibsen
Translated from the Norwegian by Paul Walsh
Directed by James Bundy

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[H4] ha ha ha ha ha ha ha

January 20 – February 7, 2026
A Woolly Mammoth Theatre Company Touring Production
Created and performed by Julia Masli
Directed by Kim Noble

[H4] Rhinoceros

March 6 – March 28, 2026

[IMG: By Eugene Ionesco Translated by Derek Prouse Adapted by Frank Galati Choreography by Emily Coates Directed by Liz Diamond]

[IMG: Furlough]

[H4] Furlough's Paradise

April 24 – May 16, 2026
By a.k. payne
Directed by abigail jean-baptiste

[IMG: INDECENT written by Paula Vogel, Created by Paula Vogel and Rebecca Taichman, directed by Rebecca Taichman. Photo by Carol Rosegg, 2015.]
INDECENT written by Paula Vogel, Created by Paula Vogel and Rebecca Taichman, directed by Rebecca Taichman. Photo by Carol Rosegg, 2015.

[H3] production history
Our production history, dating back to our first production in 1966 and continuing through last season, includes digital versions of original programs, photo galleries, video content, and more.
View the Archive

[IMG: A scene from GIRLS by Branden Jacobs-Jenkins, choreography by Raja Feather Kelly, directed by Lileana Blain-Cruz, Yale Repertory Theatre. Photo © Joan Marcus, 2019.]
A scene from GIRLS by Branden Jacobs-Jenkins, choreography by Raja Feather Kelly, directed by Lileana Blain-Cruz, Yale Repertory Theatre. Photo © Joan Marcus, 2019.

[H3] BINGER CENTER FOR NEW THEATRE
Yale’s Binger Center for New Theatre is an artist-driven initiative that devotes major resources to the commissioning, development, and production of new plays and musicals.
Learn About the Binger Center

[IMG: Dwight Edgewood]

[H3] Youth Programs
Yale Rep’s annual WILL POWER! program and the Dwight/Edgewood Project inspire hundreds of young theatergoers, and future theater artists, from New Haven and beyond.
Explore our Youth Programs

[H3] Photo Credits
(Left to right): Danny Johnson, Stephanie Berry, André De Shields, Rachel Leslie, Billy Eugene Jones, and Wayne T. Carr in August Wilson’s Seven Guitars, directed by Timothy Douglas. Photo © Joan Marcus 2016.
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Indecent written by Paula Vogel, Created by Paula Vogel and Rebecca Taichman, directed by Rebecca Taichman. Photo © Carol Rosegg, 2015.
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A scene from Girls by Branden Jacobs-Jenkins, choreography by Raja Feather Kelly, directed by Lileana Blain-Cruz, Yale Repertory Theatre. Photo © Joan Marcus, 2019.
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Dwight/Edgewood Project photo by Emalie Mayo.
Yale Repertory Theatre photo © T. Charles Erickson.

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[IMG: Yale Repertory Theatre, 2018.]

Yale Repertory Theatre, 1120 Chapel Street. Photo by T. Charles Erickson, 2018.

Yale’s Binger Center for New Theatre is an artist-driven initiative that devotes major resources to the commissioning, development, and production of new plays and musicals. The Binger Center has supported the work of more than 70 commissioned artists and underwritten the premieres and subsequent productions of more than 30 new plays and musicals at Yale Rep and theatres across the country.
Established in 2008, the Binger Center was permanently endowed in 2012 by a gift from the Robina Foundation with additional funding from the Andrew W. Mellon Foundation, Time Warner Foundation, Inc., the Lucille Lortel Foundation and individual donors. The Binger Center is named in honor of James H. Binger (1916-2004), the noted businessman, theatre impresario, and philanthropist who created the Robina Foundation. Additional funding is from the Andrew W. Mellon Foundation, Time Warner Foundation, Inc., the Lucille Lortel Foundation, the Sir Peter Shaffer Charitable Foundation, The Roy Cockrum Foundation, and individual donors.

[H3] Selected Binger Center Programs

Commissions
Supported by funding from the Binger Center, Yale Rep commissions artists—including playwrights, directors, composers, choreographers, designers, performers, and ensembles—to create to work for the stage. These artists can be at any point in their creative lives: from early and mid-career to established. In the 2022–23 season, Yale Rep’s commission fees started at $30,000 per project.

READINGS AND WORKSHOPS
Each development process is tailor-made to the artist’s need and can include small, private readings or large-scale, multi-day workshops. The Binger Center compensates artists for all developmental activities with fees for rehearsals, housing, and travel. This compensation is paid to commissioned artists in addition to commission fees and/or royalties.

ResidencIes
The Binger Center brings artists to New Haven for residencies. Like all development activities, each residency is created in response to the artist’s unique process and can include independent, unstructured work time; dramaturgical support from Yale Rep’s staff; and access to Yale University’s vast resources. The Binger Center provides travel, housing, and per diem to artists for residencies.

Production Fund
The Binger Center’s production fund provides financial support for productions of new work commissioned by and/or first produced by Yale Rep, offering opportunities for the work to be seen by audiences across the country. The production fund has underwritten productions of new work at theaters in New York City (including Atlantic Theater Company, LCT3, New York Theatre Workshop, Theatre for a New Audience, Soho Rep), Pittsburgh, PA (City Theatre), Cambridge, MA (American Repertory Theater), Richmond, VA (Firehouse Theatre), Washington, DC (Woolly Mammoth), Greenville, SC (Warehouse Theatre), La Jolla, CA (La Jolla Playhouse), and Los Angeles (Geffen Playhouse).

[H3] Current Commissioned Artists

David Adjmi
Kate Attwell
Sheila Callaghan
Guadalís Del Carmen
Kia Corthron
Frances Ya-Chu Cowhig
Lucinda Coxon
Ty Defoe
Jackie Sibblies Drury
Larissa FastHorse

Marcus Gardley
Ann Marie Healy
Naomi Iizuka
Branden Jacobs-Jenkins
Rolin Jones
Hana Kim
Howard Korder
Basil Kreimendahl
Meg Miroshnik
Jiehae Park
a.k. payne

Diane Rodriguez*
Tori Sampson
Janine Salinas Schoenberg
Charise Castro Smith
Susan Soon He Stanton
Sanaz Toossi
Josh Wilder
Marisa Wegrzyn
Martin Zimmerman
*Diane Rodriguez conceived of the commission La Pastora; Hana Kim and Janine Salinas Shoenberg are carrying it forward in her memory.

[H3] Commissions
The following projects were commissioned by Yale Rep and developed with the support of the Binger Center for New Theatre:

Marie Antoinette
by David Adjmi
Knuckle Down
by Christina Anderson
Perfect Stranger
by Hilary Bell
We Have Always Lived in the Castle
Book and Lyrics by Adam Bock
Music by Todd Almond
The Prisoner
by Peter Brook and Marie-Hélène Estienne
Elevada
by Sheila Callaghan
Notes from Underground
adapted by Bill Camp and Robert Woodruff
In a Year with 13 Moons
adapted by Bill Camp and Robert Woodruff
Brother of Jackals
by Bill Camp, Robert Woodruff, Evan Ziporyn and Brook Ziporyn
The Realistic Joneses
by Will Eno
The Lotus Paradox
by Dorothy Fortenberry
On the Levee
by Marcus Gardley
Music and Lyrics by Todd Almond
Directed by Lear deBessonet
Little Row Boat
by Kirsten Greenidge
Familiar
by Danai Gurira
A Perfect Circle
by Noah Haidle
The Sandwich Ministry
by Miranda Rose Hall
MANAKIN
by Dave Harris
Good Faith
by Karen Hartman
Belleville
by Amy Herzog
Mary Jane
by Amy Herzog
War
by Branden Jacobs-Jenkins
These Paper Bullets!
by Rolin Jones
Imogen Says Nothing
by Aditi Brennan Kapil
Lempicka
Book and Lyrics by Carson Kreitzer
Music by Matt Gould
In the Labyrinth
by Dan LeFranc

Mufaro in the City
by Rachel Lynett
Esther Frog Queen
By Julie Marie Myatt
Opium Den
by Julie Marie Myatt
1983
by Caroline McGraw
A Pipe for February
By Mary Kathryn Nagle
Her Lightness
by David Nugent
Love Play
by Lina Patel
How to Make an American Son
by chrisopher oscar peña
What Remains
Text by Claudia Rankine
Direction and Choreography by Will Rawls
Meanwhile on the Other Side of Mt. Vesuvius
by Jay Reiss and Scott Murphy
The Salvagers
by Harrison David Rivers
Two Serious Ladies
by Amelia Roper
Field Guide
created by Rude Mechs
Dear Elizabeth
by Sarah Ruhl
Scenes from Court Life
by Sarah Ruhl
Jonny Que-Onda
by Octavio Solis
Slaughterboy
by Octavio Solis
Perry Street
by Lucy Thurber
Transfers
by Lucy Thurber
Private Rivals
by Alice Tuan
A Humbling in St. Paul
by Alice Tuan
Indecent
by Paula Vogel
Creation
by Kathryn Walat
The Octavia
by Anne Washburn
The Brightest Thing in the World
By Leah Nanako Winkler

[H3] Partnerships
Indecent by Paula Vogel was commissioned by Yale Rep and the Oregon Shakespeare Festival as part of OSF’s American Revolutions: The United States History Cycle.
Lempicka by Carson Kreitzer (book and lyrics) and Matt Gould (music) was commissioned by Yale Rep in partnership with Full Stage USA at New Dramatists, a program made possible by the Andrew W. Mellon Foundation.

[H3] Productions
The Binger Center has underwritten the production of more than 30 new plays and musicals at Yale Rep:

Notes from Underground
Adapted by Bill Camp and Robert Woodruff
World Premiere, 2009
Pop!
Book and Lyrics by Maggie-Kate Coleman
Music by Anna K. Jacobs
World Premiere, 2009
Compulsion
by Rinne Groff
World Premiere, 2010
Indecent
by Paula Vogel
World Premiere, 2015
We Have Always Lived in the Castle
Book and Lyrics by Adam Bock
Music by Todd Almond
World Premiere, 2010
Bossa Nova
by Kirsten Greenidge
World Premiere, 2010
Belleville
by Amy Herzog
World Premiere, 2011
Good Goods
by Christina Anderson
World Premiere, 2012
The Realistic Joneses
by Will Eno
World Premiere, 2012
Marie Antoinette
by David Adjmi
World Premiere, 2012
Dear Elizabeth
by Sarah Ruhl
World Premiere, 2012
In a Year with 13 Moons
adapted by Bill Camp and Robert Woodruff
World Premiere, 2013
The Fairytale Lives of Russian Girls
by Meg Miroshnik, 2014
These Paper Bullets!
by Rolin Jones
World Premiere, 2014
The House That Will Not Stand
by Marcus Gardley
World Premiere, 2014
War
by Branden Jacobs-Jenkins
World Premiere, 2014
Familiar
by Danai Gurira
World Premiere, 2015
Elevada
by Sheila Callaghan
World Premiere, 2015

peerless
by Jiehae Park, 2015
The Moors
by Jen Silverman
World Premiere, 2016
Scenes from Court Life
by Sarah Ruhl
World Premiere, 2016
Imogen Says Nothing
by Aditi Brennan Kapil
World Premiere, 2017
Mary Jane
by Amy Herzog
World Premiere, 2017
Native Son
by Nambi E. Kelly, 2017
Field Guide
created by Rude Mechs
World Premiere, 2018
Kiss
by Guillermo Calderon, 2018
El Huracán
by Charise Castro Smith
World Premiere, 2018
Good Faith
by Karen Hartman
World Premiere, 2019
Cadillac Crew
by Tori Sampson
World Premiere, 2019
Girls
by Branden Jacobs-Jenkins
World Premiere, 2019
The Plot
by Will Eno
World Premiere, 2019
Manahatta
by Mary Kathryn Nagle, 2020
Today is My Birthday
by Susan Soon He Stanton, 2022
The Brightest Thing in the World
by Leah Nanako Winkler
World Premiere, 2022
the ripple, the wave that carried me home
by Christina Anderson, 2023
Wish You Were Here
by Sanaz Toossi, 2023
The Salvagers
by Harrison David Rivers
World Premiere, 2023
The Far Country
by Lloyd Suh, 2024

[H3] Photo Credits
A scene from Girls by Branden Jacobs-Jenkins, choreography by Raja Feather Kelly, directed by Lileana Blain-Cruz, Yale Repertory Theatre. Photo © Joan Marcus, 2019.
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Yale Repertory Theatre photo © T. Charles Erickson.

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[IMG: Yale Repertory Theatre, 2018.]

Yale Repertory Theatre, 1120 Chapel Street. Photo by T. Charles Erickson, 2018.

Yale Repertory Theatre, the internationally celebrated professional theatre in residence at David Geffen School of Drama, has championed new work since 1966, producing well over 100 premieres—including two Pulitzer Prize winners and four other nominated finalists—by emerging and established playwrights. Seventeen Yale Rep productions have advanced to Broadway, garnering more than 40 Tony Award nominations and 10 Tony Awards. Yale Rep is also the recipient of the Tony Award for Outstanding Regional Theatre. Established in 2008, Yale’s Binger Center for New Theatre has distinguished itself as one of the nation’s most robust and innovative new play programs. To date, the Binger Center has supported the work of more than 70 commissioned artists and underwritten the world premieres and subsequent productions of more than 30 new plays and musicals at Yale Rep and theatres across the country.
Get in Touch Support Us

[IMG: Yale Repertory Theatre]

[H3] Our Mission
David Geffen School of Drama and Yale Repertory Theatre train and advance leaders in the practice of every theatrical discipline, making art to inspire joy, empathy, and understanding in the world.

[H3] Our Core Values

[H3] Artistry
We expand knowledge to nurture creativity and imaginative expression embracing the complexity of the human spirit.

[H3] Belonging
We put people first, centering well-being, inclusion, and equity through anti-racist and anti-oppressive practices.

[H3] Collaboration
We build our collective work on a foundation of mutual respect, prizing the contributions and accomplishments of the individual and of the team.

[H3] Discovery
We wrestle with compelling issues of our time. Energized by curiosity, invention, bravery, and humor, we challenge ourselves to risk and learn from failure and vulnerability.

[H3] Yale Repertory Theatre Staff

James Bundy
Artistic Director/Elizabeth Parker Ware Dean

Florie Seery
Managing Director/Associate Dean

Chantal Rodriguez
Associate Artistic Director, Director of New Play Programs/Associate Dean

Carla L. Jackson
General Manager/Assistant Dean

Nancy Yao
Assistant Dean of Student Life

[H3] Academic Programs

Chair, Acting Program: Tamilla Woodard
Associate Chair, Acting Program: Grace Zandarski
Co-Chair, Design Program and Head of Set Design Concentration: Riccardo Hernández
Co-Chair, Design Program and Head of Costume Design Concentration: Toni-Leslie James
Head of Sound Design Concentration: Jill BC Du Boff
Head of Projection Design Concentration: Wendall K. Harrington
Head of Lighting Design Concentration: Donald Holder
Chair, Directing Program: Liz Diamond
Associate Chair, Directing Program: Yura Kordonsky

Chair, Dramaturgy and Dramatic Criticism Program: Catherine Sheehy
Associate Chair, Dramaturgy and Dramatic Criticism Program: Kimberly Jannarone
Co-Chairs, Playwriting Program: Anne Erbe, Marcus Gardley
Chair, Stage Management Program: Narda E. Alcorn
Associate Chair, Stage Management Program: James Mountcastle
Chair, Technical Design and Production Program: Shaminda Amarakoon
Associate Chair, Technical Design and Production Program: Jennifer McClure
Chair, Theater Management Program: Joshua Borenstein

[H3] Artistic

Yale Rep Resident Artists
Playwright in Residence: Tarell Alvin McCraney
Resident Directors: Lileana Blain-Cruz, Liz Diamond, Tamilla Woodard
Dramaturgy Advisor: Amy Boratko
Resident Dramaturg: Catherine Sheehy
Set Design Advisor: Riccardo Hernández
Resident Set Designer: Michael Yeargan
Costume Design Advisors: Oana Botez, Ilona Somogyi
Resident Costume Designer: Toni-Leslie James
Lighting Design Advisors: Alan C. Edwards, Donald Holder
Projection Design Advisors: Shawn Lovell-Boyle, Joey Moro
Sound Design Advisor: Jill BC Du Boff
Voice and Text Advisor: Grace Zandarski
Resident Fight and Intimacy Directors: Kelsey Rainwater, Michael Rossmy
Stage Management Advisor: Narda E. Alcorn
Associate Artists: 52nd Street Project, Kama Ginkas, Mark Lamos, MTYZ Theatre/Moscow New Generation Theatre, Bill Rauch, Sarah Ruhl, Henrietta Yanovskaya

Artistic administration
Production Stage Manager: James Mountcastle
Yale Rep Senior Artistic Producer: Amy Boratko
Yale Rep Associate Producer: Kay Perdue Meadows
Education and Community Programs Manager: Elizabeth Nearing
Yale Rep Artistic Fellow: Hannah Fennell Gellman
Yale Rep Casting: James Calleri, Erica Jensen, Paul Davis
Editor, Theater magazine: Tom Sellar
Managing Editor, Theater magazine: Gabrielle Hoyt
Senior Associate Editor, David Geffen School of Drama Alumni Magazine: Catherine Sheehy
Senior Executive Assistant to the Artistic Director/Dean: Grace O’Brien
Senior Administrative Assistant to the Dean/Artistic Director and Artistic Offices: Avery Amacher
Senior Administrative Assistant for Directing, Dramaturgy and Dramatic Criticism, Playwriting, and Stage Management programs, and Theater magazine: Laurie Coppola
Senior Administrative Assistant, Design Program: Kate Begley Baker
Senior Administrative Assistant, Acting Program: Krista DeVellis
Library Services: Erin Carney

[H3] Production

Production Management
Director of Production: Shaminda Amarakoon
Production Manager: Jonathan Reed
Production Manager for Studio Projects and Special Events: C. Nikki Mills
Senior Administrative Assistant to Production, Theater Safety, and the Technical Design and Production Program: Rachel Zwick
Scenery
Technical Director for Yale Rep and Fall Protection Program Administrator: Neil Mulligan
Technical Directors for David Geffen School of Drama: Latiana “LT” Gourzong, Matt Welander
Electro Mechanical Laboratory Supervisor: Spencer Hrdy
Metal Shop Foreperson: Matt Gaffney
Wood Shop Foreperson: Ryan Gardner
Lead Carpenters: Doug Kester, Kat McCarthey, Sharon Reinhart, Abigail “Galleon” Richard
Carpentry Interns: Kai Hancock, Red Wehrmann
Painting
Scenic Charge: Mikah Berky
Lead Scenic Artists: Lia Akkerhuis, Nathan Jasunas
Paint Intern: Michaela Meyer
Properties
Properties Supervisor: Jennifer McClure
Associate Properties Supervisor: Katie Pulling
Properties Craftsperson: Steve Lopez
Properties Associate: Zach Faber
Properties Stock Manager: Mark Dionne
Properties Interns: Lee Donegan, Susan Gibbs
Costumes
Costume Shop Manager: Christine Szczepanski
Senior Drapers: Susan Aziz, Clarissa Wylie Youngberg, Mary Zihal
Senior First Hands: Deborah Bloch, Patricia Van Horn
First Hand: Maria Teodosio
Costume Project Coordinator: Linda Kelley-Dodd
Costume Stock Manager: Jamie Farkas
Costume Technology Intern: Eli Oremland

Electrics
Lighting Supervisor: Donald W. Titus
Senior House Electricians: Price Foster, Linda-Cristal Young
Electricians: Ben Njus, Aspen Rogers, Alex Zinovenko
Electrics Interns: Toni Carton, Gabriel Landes
Sound
Sound Supervisor: Mike Backhaus
Lead Sound Engineer: Mariah Keener
Sound Interns: Jay Korter, Skylar Linker
Projections
Projection Supervisor: Anja Powell
Lead Projection Technician: Solomon Sheffield
Projection Interns: Naomi Rodriguez, Sarah Webb
Stage Operations
Stage Carpenter: Janet Cunningham
Lead Wardrobe Supervisor: Elizabeth Bolster
Lead Properties Runner: William Ordynowicz
Light Board Programmer: Sabrina Idom
Lead Front of House Mix Engineer: Keirsten Lamora

[H3] Administration

General Management
Associate Managing Directors: Joy (Xiaoyue) Chen, Victoria McNaughton, Kavya Shetty, Iyanna Huffington Whitney
Assistant Managing Director: Jocelyn Lopez-Hagmann, Kay Nilest
Management Assistants: Roberto Di Donato, Chanel Johnson, Ebonee Johnson, My Le, Maya Simon
Company Manager: Raekwon Fuller
Assistant Company Managers: My Le, Rhayna Poulin, Kiara Rivera
Development and Alumni Affairs
Senior Director of Development and Alumni Affairs and Editor, David Geffen School of Drama Alumni Magazine: Deborah S. Berman
Deputy Director of Operations for Development and Alumni Affairs: Susan C. Clark
Senior Associate Director of Development and Alumni Affairs: Scott Bartelson
Associate Director of Development and Alumni Affairs: Claudia Campos
Assistant Director of Development and Alumni Affairs: Gavin D. Pak
Alumni Affairs Officer and Senior Writer: Cayenne Douglass
Senior Administrative Assistant to Development and Alumni Affairs: Jennifer E. Alzona
Development and Alumni Affairs Assistant: My Le
FINANCE, HUMAN RESOURCES, DIGITAL AND WEB TECHNOLOGY
Director of Finance and Business Administration/Lead Administrator: Nicola Blake
Human Resources Business Partner: Trinh DiNoto
Manager, Staff and Faculty Affairs: Malaika Green El Hamel
Director of Theater and Information Technology: Eric Lin
Director, Yale Tessitura Consortium, and Web Technology: Janna J. Ellis
Manager, Business Operations: Martha O. Boateng
Business Office Analyst: Shainn Reaves
Financial Analyst: Juliana Norman
Digital Communications Associate: Kenneth Murray
Business Office Specialist: Moriah Clarke
Interim Business Office Specialist: Toyin Mary Kakulu
Senior Administrative Assistant for the Business Office, Digital Technology, Operations and Tessitura: Sadartha DiNello
Digital Technology Associates: Edison Dule, Garry Heyward
Database Application Consultants: Ben Silvert, Erich Bolton
FINANCIAL AID, ADMISSIONS, AND STUDENT SERVICES
Director of Financial Aid: Andre Massiah
Registrar/Admissions Administrator: Ariel Yan
Non-Clinical Counselor: Krista Dobson
Senior Administrative Assistant to Financial Aid and Registrar/Admissions Administrator: Laura Torino

Marketing, Communications, and Audience Services
Director of Marketing: Daniel Cress
Director of Communications: Steven Padla
Senior Associate Director of Marketing and Communications: Caitlin Griffin
Senior Administrative Assistant to Marketing and Communications: Mishelle Raza
Marketing and Communications Assistant: Jenn London
General Press Representative: Blake Zidell & Asssociates
Publications Manager and Program Designer: Marguerite Elliott
Director of Audience Services: Laura Kirk
Assistant Director of Audience Services: Shane Quinn
Subscriptions Coordinator: Tracy Baldini
Audience Services Associate: Molly Leona
Customer Service and Safety Officers: Teo Baldwin, Ralph Black, Jr., Kevin Delaney
Box Office Assistants: Pilar Bylinsky, Emma Fusco, Sawan Garde, Aaron Magloire, Yusra Mohamed, Naomie Mbabazi, Diana Shyshkova, Elliot Valentine
Accessibility Assistant: Abigail Murphy, Prentiss Patrick-Carter
Ushers: Mia Bauer, Maura Bozeman, Alex Brooks, Logan Carr, Jackie Cook, Kelvin Esselfie, Anna Forbes, Isaac Kozukhin, Nat Lopez, Kristin Loughry, Bonnie Moeller, Sarah Ramos-Gonzalez, Eric Regis, William Romain, Jonathan Singleton, Nicole Stack, Kane Trundle, Julia Weston, Larsson Youngberg
Theater Safety and Occupational Health
Director of Theater Safety and Occupational Health: Anna Glover
Assistant Director of Theater Safety: Kelly O’Loughlin
Associate Safety Advisor: Mae Mironer
Operations
Director of Facility Operations: Nadir Balan
Associate Director of Operations: Aleks Landolfi
Operations Assistant: Devon Reaves
Facilities Area Manager: Joey Adcock
Arts and Graduate Studies Superintendents: Jennifer Draughn, Francisco Eduardo Pimentel
Custodial Team Leaders: Andrew Mastriano, Sherry Stanley
Facility Stewards: Ronald Douglas, Marcia Riley
Custodians: Leo Torres, Sulema Hamilton, Rodney Heard, Jessica Hernandez, Cassandra Hobby, Wendy Jerez, Melloney Lucas, Shanna Ramos, Johnny Stanley, Jerome Sonia

[H3] Photo Credits
Katherine Romans and Michele Selene Ang in a scene from THE BRIGHTEST THING IN THE WORLD by Leah Nanako Winkler, directed by Margot Bordelon, Yale Repertory Theatre, November 25-December 17, 2022. Photo © Joan Marcus.
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Yale Repertory Theatre photo © T. Charles Erickson, 2018.