Training Example: ARRI – Review the Data, Give Your Score & Compare to the Real AI Evaluation

[H2] Product highlights and solutions
[H3]
ALEXA 35 Xtreme
Motion meets emotion
[IMG: 4-arri-alexa-35-xtreme-application-shot]

[H3]
Live Entertainment
The world of live production
[IMG: A vibrant Eurovision performance with confetti and a live band using Claypaky equipment for capturing the show]

[H3]
Ensō Lenses
Creative flow
[IMG: ENSO_Key_Visual_3by2_04]

[H3]
SkyPanel X
Soft | Modular | Hard
[IMG: _DSF7755web]

[H3]
Virtual Production
The ultimate creative environment
[IMG: BTS shot of Coldplay]

[H2] News & Stories
[IMG: ARRI Riedel Acquisition Press Release_PIC_02_ManagementTeam]
Apr. 14, 2026
[H3] Thomas Riedel Acquires Premium Manufacturer ARRI
Strategic Alignment With the Riedel Group for Innovation and Growth

[IMG: Oscar News Story_leveled]
Mar. 16, 2026
[H3] ARRI technology and services support Oscar® winners, including Best International Feature Film
From epic literary adaptations to intimate, character-driven stories, the 98th Academy Awards® once again honored outstanding filmmaking—supported behind the scenes by ARRI cameras, lenses, and services across many of this year’s winners and nominees.

[IMG: Valentina-Caniglia-pic-for-ASC]
Mar. 5, 2026
[H3] Heart, light, and global vision: the cinematography of Valentina Caniglia ASC, CCS
In this personal interview, Valentina Caniglia shares her unique journey as a director of photography.

[IMG: MWC 2026 HONOR CEO James LI and ARRI MD David Bermbach]
Mar. 2, 2026
[H3] HONOR and ARRI announce strategic technical collaboration to bring ARRI Image Science into next-generation consumer devices
[IMG: 1-interview-adib-sobhani-woman-and-child-alexa-35-arri copie]
Feb. 24, 2026
[H3] Adib Sobhani shoots “Woman and Child” with ALEXA 35
DP Adib Sobhani joins director Saeed Roustayi for “Woman and Child,” an Iranian feature selected for the Main Competition at the 2025 Cannes Film Festival.

[IMG: Ben Cotgrove shoots Swatch commercial]
Dec. 22, 2025
[H3] Three fashionable commercials shot on ARRI’s ALEXA 35 camera
Cinematographers Emerson Duggan, Ben Cotgrove, and Nikita Khatsarevich share how the ARRI ALEXA 35 helped them craft three stylish, cinematic commercials

[H2] Meet ARRI
May
12
2026
May
23
2026
[H2] Cannes
Cannes, France
To Event Site
Jun.
05
2026
Jun.
06
2026
[H2] Cine Gear Expo
Los Angeles, USA
To Event Site
[H3] ARRI Academy
Improve your skills, empower your images
[IMG: arri-academy-learn-more]

[H3] Service Requests
Contact our technical service
[IMG: Technical Service of ARRI Camera System repairing ARRI Camera.]

[H3] Camera & Workflow
Find information covering different aspects of a shoot
[IMG: wkflw-alexalf-tfaehrmann-faces2_transparent]

[H3] History of ARRI
Explore the "Interactive Timeline"
[IMG: interactive_timeline]

[IMG: ENSO-001_ENSO_02_0000_black_v2]

Meet the new member of ARRI's lens family
Small, lightweight, and versatile, ARRI Ensō lenses deliver exceptional images in almost any conditions. The beautifully smooth and balanced native look can be tuned with Ensō Vintage Elements, which attach to the back of the lenses, allowing many different looks to be achieved with a single, cost-effective lens set.

[H3] Take a guided tour of the Ensō Prime lenses
[IMG: Guided-Tour-Thumbnail]

[IMG: Japanese paper brighter_01]

What is Ensō?
ARRI Ensō lenses are named after, and inspired by, a circular Zen symbol. In Zen calligraphy, painting an ensō is a meditative practice that trains your mind to exist fully in the moment. You are engaged with your surroundings, but your thoughts are untroubled by anything beyond the act of creation. This is an ideal state of mind on set, and it is only possible if you have complete trust in your tools.
Discover the Ensō philosophy

Beautiful native look
Natural image detail and stunning bokeh
Exquisite close-ups and well-controlled flares
Gentle focus fall-off and minimal breathing

I’ve been using the ARRI Ensō lenses on my current project and they’ve quickly become an essential part of my kit. For anyone looking to maintain cinematic quality while streamlining their setup, these lenses deliver.
[IMG: Cinematographer Simon Ozolins]
Copyright © John Platt

Simon Ozolins ACS
Cinematographer
ARRI Ensō lenses blend a naturalistic look with a high-end commercial feel, all in a nimble package at an approachable price point. They have a polished yet intimate resolve, free from sterility or artifice. Their small footprint makes operating remotely or in tight places a breeze.
[IMG: Aiden Ulrich]

Aiden Ulrich
Cinematographer
I loved the Ensō Primes. The sharpness was perfect; the roll-off and bokeh were soft and smooth. The light weight and small size of the lenses made handheld shots easy. I loved the crazy close-focus distance and—most of all—the price point makes them a very appealing option.
[IMG: IMG_8173]

Vijay Kartik Kannan
Cinematographer
The Ensō Primes were an ideal choice for our project. Their lightweight build and flexibility were crucial on such a demanding shoot. Whether on the high seas, wind battered land,  or in studio interiors, the Ensō lenses delivered exceptional performance, perfectly complementing our vision.
[IMG: Karl Walter Lindenlaub]

Karl Walter Lindenlaub ASC
Cinematographer
[IMG: ENSO-001_ENSO_02_0000 Kopie]

Elegant simplicity
Collaborating with a leading Japanese optics house, ARRI designed the Ensō lens series to deliver incredible image quality across a huge range of focal lengths, from 10.5 to 250 mm (350/500 mm with Ensō Extenders). Combining German engineering with Japanese optical excellence, Ensōs are a fusion of two cultures – adaptable and reliable, yet elegantly simple and pure of purpose.

[H2]
Ensō insights
[IMG: DP Can Dolu X ARRI ENSŌ LENSES]
Dec. 6, 2025
[H3] DP Can Dolu x ARRI Ensōs
“Thanks to its light weight, consistent mechanics, and solid engineering, the ARRI Ensō lens set is one I'd never want to part with-versatile and performant for modern production demands.”

[IMG: Justin Bodenkamp NSC X ARRI ENSŌ LENSES]
Dec. 2, 2025
[H3] Justin Bodenkamp NSC x ARRI Ensōs x Vintage Element 350P
“Vintage soul, modern speed, and close-focus that pulls you straight into the product — the ARRI Ensō lenses gave the McDonald's spot its punch.”

[IMG: DP Bret Curry X ARRI ENSŌ LENSES]
Dec. 1, 2025
[H3] DP Bret Curry x Ensō lenses
ARRI Ensō Primes on the set of Stetson x Lindsey Thornburg in Montana. Shot on the ARRI ALEXA 35 Xtreme and finished with ARRI Film Lab.

[IMG: 1st ACs theme day]
Nov. 16, 2025
[H3] 1st ACs theme day
We were extremely wide and incredibly close at Energa Camerimage today thanks to the 10.5 mm Ensō Prime! Thanks to all who came by the booth, where we had our 1st ACs theme day.

[IMG: Ensō lenses at the Camerimage 2025]
Nov. 16, 2025
[H3] Ensō lenses at the Camerimage 2025
Check out ARRI's Workshops at the ARRI Booth. Try detuning with Ensō Vintage Elements for a custom look and more at Camerimage 2025.

[IMG: ARRI]
Nov. 14, 2025
[H3] ARRI's 1. Ensō lenses showreel
Shot something exceptional with Ensō Prime lenses? Find out how you could be part of our first ARRI Ensō showreel.

[IMG: Cinematic Balance with Ensō Primes]
Nov. 6, 2025
[H3] Cinematic balance with Ensō Primes
Discover how DP Peter Pasucci achieved the perfect harmony between polished commercial aesthetic and a naturalistic feel using ARRI’s Ensō Primes and Vintage Elements.

[IMG: A dance video with Ensō Prime lenses 1]
Oct. 30, 2025
[H3] A dance video with Ensō Prime lenses
Ensō Prime lenses meet Ensō Vintage Elements in this dance video made for quick, creative look changes. Learn more about Ensō Vintage Elements here.

[IMG: DP Ni Xiaokang]
Oct. 26, 2025
[H3] DP Ni Xiaokang's impression with Ensō Primes
DP Ni Xiaokang has worked on commercials, TV series, and music videos for major brands and broadcasters. After testing the ARRI Ensō Primes, he shared his impressions.

[IMG: Soul Ferry Ten Years Zhao Hao]
Oct. 13, 2025
[H3] “Soul Ferry: Ten Years" | Zhao Hao
For his latest project, “Soul Ferry: Ten Years,” cinematographer Zhao Hao relied on ARRI Ensō Prime lenses to deliver a natural yet expressive look. Find out about Zhao Hao's feedback on Ensō lenses.

[IMG: Amrum Fatih Akin]
Oct. 9, 2025
[H3] "Amrum“ | Fatih Akin
Find out how Cinematographer Karl Walter Lindenlaub ASC, BVK combined ARRI's new Ensō Primes with Signature Zooms and the ARRI ALEXA 35 to film director Fatih Akin's historical drama "Amrum".

[IMG: The first ARRI Ensō lenses showreel]
Oct. 3, 2025
[H3] The first ARRI Ensō lenses showreel
Take your chance to be part of the very first ARRI Ensō lenses showreel. We are looking for outstanding footage shot with ARRI Ensō Prime lenses.

[IMG: Kasteelbier commercial shot on ALEXA 35 and Ensō lenses]
Sep. 30, 2025
[H3] Kasteelbier commercial | DP Ivo Nelis
Don’t drink and drive… but get close to the action with rally racers Freddy Loix and Pieter Tsjoen in the Kasteelbier commercial shot on ALEXA 35 and Ensō lenses.

[IMG: DP Rui Poças AIP, ABC X ARRI Ensō lenses]
Sep. 17, 2025
[H3] "The Guests" | DP Rui Poças AIP, ABC
DP Rui Poças AIP, ABC shared his first experience with the ARRI Ensō lenses and their Vintage Elements - spoiler alert: he loved them!

[IMG: ARRI × Adham Khaled X ARRI Ensō lenses]
Sep. 11, 2025
[H3] ARRI x Adham Khaled
Ensō lenses meet ALEXA 35. Lightweight, compact, and solidly built – the new ARRI Ensō lenses are ideal for handheld setups, delivering natural skin tones and minimal breathing. Paired with the ALEXA 35, they form a truly powerful combination

[IMG: Meet ARRI at the Amsterdam Lens Event]
Sep. 4, 2025
[H3] Meet ARRI at the Amsterdam Lens Event
Don’t miss your chance to experience the breathtaking close-focus Ensō lenses and meet the ARRI team in Amsterdam!

[IMG: The woman in cabin 10 Ben Davis BSC]
Aug. 28, 2025
[H3] "THE WOMAN IN CABIN 10" | Ben Davis BSC
"THE WOMAN IN CABIN 10" based on the best selling novel premieres October 10. Cinematographer Ben Davis BSC shot the suspenseful thriller on the ALEXA 35, ARRI Ensō lenses and Signature Primes. Serviced by ARRI Rental UK.

[IMG: A Mediamarkt commercial with Ensō lenses]
Jul. 27, 2025
[H3] A Mediamarkt commercial with Ensō lenses
For his latest project with director Onur Somer, DP Ersin Gok set out to create a bold, dramatic visual style — something textured, slightly imperfect, and in sync with the lighting design for a Mediamarkt commercial.

[IMG: DP Simon Rowling |]
Jul. 1, 2025
[H3] DP Simon Rowling | "The Caged"
Set in the 1980s with black-and-white flashbacks to the 1500s, "The Caged" was lensed with ARRI Ensō Primes and Vintage Elements. DP Simon Rowling explains how he used these lenses to create a modern look with subtle edge softness and sharp center focus.

[IMG: ARRI at Fivefold Studio]
Jun. 25, 2025
[H3] ARRI at Fivefold Studio
The ARRI team took ARRI & Friends to Wales in June — thanks to Fivefold Studios, we welcomed over 170 creatives from Wales and the West Country.

[IMG: Picture-SoME Post 21]
Jun. 15, 2025
[H3] DP Piet Deyaert SBC | Xerus commercial
“I used the Ensō lenses specifically because of their close focus abilities. [...]" - DP Piet Deyaert SBC

[IMG: DP Manu León]
Jun. 8, 2025
[H3] DP Manu León | Flexibility in tight spaces with ARRI Ensō Primes
Cinematographer Manu León made full use of their mechanics and versatile design to move quickly—even in extremely tight spaces.

[IMG: DP Ben Davis BSC x ARRI Ensō Primes]
May 31, 2025
[H3] DP Ben Davis BSC x ARRI Ensō Primes
Ben Davis BSC values ARRI Ensō Primes for their versatility, combining strong optical performance with a subtle vintage character—ideal for handheld and stabilized work.

[IMG: The 78th Cannes Film Festival x ARRI gear]
May 28, 2025
[H3] The 78th Cannes Film Festival x ARRI gear
At the 78th Festival de Cannes, ARRI’s cameras, lenses, and lights played a pivotal role behind the scenes in the production of many featured films.

[IMG: DP Ádám Pataki]
May 25, 2025
[H3] DP Ádám Pataki | "Closer to the Sun"
"The combination of the Ensō Primes and the ALEXA Mini LF allowed us to shoot both in the harsh desert sun and in low light conditions, while still preserving beautiful texture, natural skin tones and achieving a truly filmic image. [...]"

[IMG: Joanna Cameron]
May 18, 2025
[H3] DP Joanna Cameron | Compact and efficient with ARRI Ensō Primes
For DP Joanna Cameron the ARRI Ensō Primes proved ideal for a compact and efficient setup. Their small size and similar weight across focal lengths made fast lens changes simple—perfect for Steadicam work.

[IMG: DP Karl Walter Lindenlaub ASC, BVK |]
May 15, 2025
[H3] DP Karl Walter Lindenlaub ASC, BVK | "Amrum"
"Amrum" will make its world premiere this week at the 78th Cannes Film Festival. Shot by cinematographer Karl Walter Lindenlaub ASC, BVK, "Amrum" was among the first productions to utilize the Ensō lenses.

[IMG: Screenshot 2025-05-13 075041]
May 11, 2025
[H3] DP Michael Schrom | Close-Focus performance with Ensō Primes
DP Michael Schrom put the Ensō Primes in close-focus situations to the test—and they delivered. With great optical performance, our lenses offer a unique toolset for precision work.

[IMG: Simon Ozolins ACS | First Ensō projects in Australia]
May 7, 2025
[H3] Simon Ozolins ACS | First Ensō projects in Australia
“I’ve been using the ARRI Ensō lenses on my current project and they’ve quickly become an essential part of my kit. For anyone looking to maintain cinematic quality while streamlining their setup, these lenses deliver.”

[IMG: Sylvester Fonseca ISC | Dream11 commercial]
May 6, 2025
[H3] Sylvester Fonseca ISC | Dream11 commercial
Cinematographer Sylvester Fonseca ISC used the ALEXA 35 with Ensō Primes and Signature Zoom to craft a striking, night-time look for the viral Dream11 commercial during IPL 2025.

[IMG: Ferran Vargas Bujan x ARRI Ensō Primes]
May 5, 2025
[H3] Ferran Vargas Bujan x ARRI Ensō Primes
The compact form factor of the ARRI Ensō Primes makes them a perfect choice for Steadicam operators like Ferran Vargas Bujan. With the addition of the new Ensō Vintage Elements, the lenses provide creative flexibility, enabling unique visual styles while maintaining exceptional quality and consistency.

[IMG: DP Kate Cornish | Capturing every shift with Ensō Primes]
Apr. 26, 2025
[H3] DP Kate Cornish | Capturing every shift with Ensō Primes
Cinematographer Kate Cornish relied on the small, lightweight, and versatile ARRI Ensō Primes to shift the visual tone of her project, seamlessly capturing both intense and harmonious moments.

[IMG: DP Tom Fährmann | Flexible looks with Ensō Vintage Elements]
Apr. 19, 2025
[H3] DP Tom Fährmann | Flexible looks with Ensō Vintage Elements
Cinematographer Tom Fährmann highlights the added flexibility of the Ensō Vintage Elements—offering a modular approach to crafting distinctive looks.

[IMG: DP Sander Vandenbroucke | Fresh yet classic look with ARRI Ensō]
Apr. 18, 2025
[H3] DP Sander Vandenbroucke | Fresh yet classic look with ARRI Ensō
DP Sander Vandenbroucke used ARRI Ensō lenses paired with ALEXA Mini LF to shoot three commercials for Belgian streaming provider TADAAM. Aiming for a fresh yet classic look, he chose lenses that avoided a clinical feel and found the Ensōs to be the perfect fit.

[IMG: DP Lali Rubio Panadès | Two distinct looks in one project]
Apr. 12, 2025
[H3] DP Lali Rubio Panadès | Two distinct looks in one project
Cinematographer Lali Rubio Panadès used ARRI Ensō Primes to craft two distinct looks in one project. Clean for present-day scenes and dreamy with the 350N Vintage Element for the past—all while maintaining consistent contrast, skin tone, and texture.

[IMG: DP Vijay Kartik Kannan |]
Mar. 13, 2025
[H3] DP Vijay Kartik Kannan | "An Emotional Punch" showreel
While shooting the showreel "An Emotional Punch," cinematographer Vijay Kartik Kannan had the opportunity to test the Ensō lenses in different shooting situations. Learn why he loves ARRI's new Prime lenses!

[IMG: DP Aiden Ulrich | Using Ensō lenses for the first time]
Mar. 9, 2025
[H3] DP Aiden Ulrich | Using Ensō lenses for the first time
ARRI Ensō Prime lenses are convincing DPs worldwide with their smooth and balanced look and their small size! Join cinematographers like Aiden Ulrich and shoot your next project with Ensō Primes!

[IMG: DP Karl Walter Lindenlaub ASC x ARRI Ensō Primes]
Feb. 26, 2025
[H3] DP Karl Walter Lindenlaub ASC | "The ideal choice for our project"
The new ARRI Ensō Primes proved to be the "ideal choice" on a demanding shoot for cinematographer Karl Walter Lindenlaub ASC. Want to learn more about these small, lightweight, and versatile lenses? Check our website!

[IMG: ARRI Tech Talk: Ensō Prime Lenses – Creative Flow]
Oct. 24, 2024
[H3] ARRI Tech Talk: Ensō Prime Lenses – Creative Flow
Want to know all about the new Ensō Prime lenses? In our Tech Talk, Sean Dooley walks you through the 14 focal lengths, the flexibility of the design, and the way Ensō Vintage Elements help you craft the perfect look for any project.

[IMG: ARRI Ensō Prime in action]
Oct. 21, 2024
[H3] ARRI Ensō Prime in Action
ARRI Ensō Prime lenses are made to capture life’s most beautiful and unexpected moments — as shown in this film by Vijay Kartik Kannan. Compact, lightweight, and crafted for stunning visuals on any production.

[IMG: Ensō Prime Lenses - the Ensō Philosophy]
Oct. 16, 2024
[H3] Ensō Prime Lenses - the Ensō Philosophy
ARRI Ensō Prime lenses draw inspiration from the Zen philosophy of being present in the moment. This brand film, shot by Tom Fährmann BVK, uses the amazing close-focus abilities of Ensō lenses to capture the movements of a master Zen calligrapher as she creates an e

[IMG: Omnibar Family]

Introducing Omnibar, a battery-powered linear LED fixture delivering high-resolution ARRI light quality. Available in two lengths and two colorways, the IP65-rated Omnibar offers easy daisy-chaining, swappable optics, and flexible mounting and control options. From €615

[H2] Take a guided tour of Omnibar
[IMG: Omnibar Guided Tour - Video Thumbnail]
[H2] Features at a glance
[H3]
ARRI light quality
[IMG: Omnibar: 16-Zones]

[H3]
Diffusers & intensifiers
[IMG: Omnibar: Diffusers & intensifiers]

[H3]
Modular rigging options
[IMG: Omnibar: Modular rigging options]

[H3]
Long-lasting battery
[IMG: Omnibar : longlasting battery]

[H3]
Bluetooth & CRMX control
[IMG: Omnibar LightControl]

[H3]
IP65-rated & built tough
[IMG: Omnibar - IP Rated]

[IMG: 260318_Website_Loop_Lightquality (Thumbnail)]

[IMG: LightQuality_9x16_first_frame]
Full-spectrum light output for beautiful colors and skin tones
CRI 98 / TLCI 98 at 5600K
32 pixel zones for high-resolution effects

[IMG: Omnibar: Interchangeable optics]

Interchangeable optics
Change the look and feel of Omnibar’s light output with magnetic, front-loaded optics. Round Diffuser: Soft, cinematic lighting Flat Diffuser: Precision lighting for effects Intensifier: Boosts focus and light output
Choose your optics

[H5] What they're saying
When I first saw the Omnibar, I immediately felt it was the right product for the market. It delivers exactly what users really need — functionally, technically, and without unnecessary complexity.
[IMG: Jiashuo Zhang]

Mr. Jiashuo Zhang
Content Creator KOL
I loved using them. The interface is easy to understand, I could get a bar working quickly, and I was even able to use it comfortably as a key light.
[IMG: Benjamin Martyn Wheeler]

Benjamin-Martyn Wheeler
Cinematographer
Omnibar is the first linear fixture I’ve seen with both power and data passthrough built in. It will make a real difference on film sets—I can see them living on lightweight moonbox rigs.
[IMG: Quote-Maja-Feeney]

Maja Feeney
Gaffer | IATSE Local 52, 487 | Gaffers Salon Community Admin
[IMG: 260318_Website_Loop_Rigging (Thumbnail)]

Scalable modularity
Whether as an off-camera light source or visible design element​, Omnibar scales from compact single-bar use to larger multi-bar setups.

[H2] Versatile rigging accessories
Rigging the Omnibar is simple, with flexible mounting options saving time in all production environments.
[IMG: Omnibar: Omnigrip and Omnipin]
[H4] Omnigrip and Omnipin
Sturdily constructed from black aluminum, the Omnigrip can be positioned anywhere along the Omnibar’s rear-side rail system. It allows bars to be seamlessly connected end-to-end for continuous illumination, or can be combined with the silver steel Omnipin to facilitate rapid setup with traditional rigging solutions such as lighting stands. The Omnipin clicks into place and locks with a positive grip, remaining securely attached to the Omnigrip without risk of unscrewing. Each Omnibar set includes one Omnigrip and Omnipin per fixture for precise and stable mounting.
[IMG: Omnibar: Omniclip]
[H4] Omniclip
The Omniclip is a versatile mounting solution made from tough but lightweight black plastic. Its innovative design allows fixtures to be securely placed on the ground, or attached to walls, at 0°, 45°, and 90° angles. The clip's spacious design accommodates the 90° ARRI power connector without obstruction. Each Omnibar set includes two clips per fixture, providing stability and adaptability for professional lighting setups.
[IMG: Omnibar: Built-in magnets]
[H4] Built-in magnets
Integrated into the Omnibar’s sleek rear profile are built-in magnets that provide fast, flexible rigging options while keeping the form factor compact. With no need for external magnets or clamps, the fixture mounts directly to metal housings, beams, or scaffolding in any orientation, maintaining a secure hold without adding bulk.
[IMG: Omnibar: Eyebolt]
[H4] Eyebolt
Made of high-quality silver and steel, the Eyebolt adapter is a robust and essential safety component for securing lighting fixtures, providing exceptional durability and strength. Each adapter features a customized 3/8" screw design, allowing it to be securely mounted on both sides of the Omnibar for optimal fixture stability. Two Eyebolts are provided per fixture, per set, enhancing both safety and flexibility.
[IMG: Omnibar: Mini Tripod]
[H4] Mini Tripod
The Mini Tripod is an adaptable support solution designed to keep your Omnibar steady and secure. It features four adjustable height levels, allowing precise positioning for diverse lighting needs. The tripod is equipped with dual mounting points on both sides of the bar, accommodating 3/8" screws and customized eyebolts for secure and flexible fixture attachments. One tripod is provided per fixture, per set.
[IMG: Omnibar: Connection points]
[H4] Connection points
Integrated connection points make it quick and easy to strap the Omnibar to rails, bars, or other anchor points using safety cables or zip ties.
[IMG: Omnibar: Vertically balanced]
[H4] Vertically balanced
The connection points on each end of the Omnibar are positioned to ensure that the fixture will hang vertically when hung from above, aiding its use as visually striking design element.

[IMG: Omnibar: Daisy-chain power and data]

Easy daisy-chaining
Need to expand your setup? You can daisy-chain multiple Omnibars with the Omnibase providing a single power and data source that reduces setup times and simplifies cable needs.

[H2] A lighting system for everyone
Whether you're using a single bar or hundreds of units, Omnibar transforms the possibilities of linear lighting.
[IMG: Omnibar: Creator Set]
[H4] Creator Set
The Omnibar Creator Set provides an unprecedentedly affordable route to high-quality ARRI lighting and a perfect entry into the Omnibar ecosystem. Containing a weatherproof Omnibar 2 linear LED fixture in classic ARRI blue/silver colorway, as well as Flat Diffuser, Intensifier, rigging accessories, and power supply/charger, the Creator Set delivers everything required for compact yet versatile lighting setups.
[IMG: Omnibar: Built-in control and replaceable battery]
[H4] Built-in control and replaceable battery
Omnibar features a powerful integrated battery and a control panel recessed into the rail system, providing access to core functions such as color modes and lighting/pixel effects. As a long-life product, Omnibar is designed to be fully serviceable—replacement of the internal battery can be carried out by ARRI Service, authorized service partners, or rental houses with suitable facilities.
[IMG: Omnibar: Omnibase]
[H4] Omnibase
Providing a central power and data hub for scalable Omnibar setups, the Omnibase allows up to 12 feet of Omnibar 4 and Omnibar 2 fixtures to be connected in a single daisy-chain, or a total of up to 24 feet of bars across two or more daisy-chains. The Omnibase supports six DMX universes—one per output port—with input signals incorporating DMX, Art-Net, or sACN. Like the Omnibar, it is IP65 rated, so can be used as part of an outdoor installation.
[IMG: Omnibar: IP65-rated and built tough]
[H4] IP65-rated and built tough
With its IP65 weatherproof rating and built-in battery providing a minimum runtime of two hours at full brightness (or up to 24 hours at lower outputs), Omnibar can be used untethered in all outdoor conditions. Its high build quality and innate ruggedness also make it suitable for semi-permanent exterior and interior installations.
[IMG: Omnibar: Wireless control via Bluetooth or CRMX]
[H4] Wireless control via Bluetooth or CRMX
In addition to its onboard controls and wired DMX options, Omnibar can be controlled wirelessly via its integrated LumenRadio TimoTwo CRMX chip or Bluetooth Omnibar app. The new ARRI Bluetooth Mesh Protocol allows fixtures to relay control signals between each other to extend range and improve connection stability without additional hardware. Even Bluetooth effects can be controlled and kept in sync via the app.
[IMG: Omnibar: Extra brightness when you need it]
[H4] Extra brightness when you need it
Using Omnibar without an optic as an open-face source makes it exceptionally bright (while still IP65-rated), which is a useful option when equipping the bar with a third-party accessory such as the DoPchoice AIRGLOW® or SNAPBAG®. In addition, Omnibar offers a Boost Mode that can be used in temperate climates, providing 25% more output at 3200K.
[IMG: Omnibar: iF DESIGN AWARD 2026]
[H4] iF DESIGN AWARD 2026
Omnibar wins the iF DESIGN AWARD 2026 – an outstanding achievement in international design!

[H5] What they're saying
Omnibar is very well suited for outdoor shooting: it is bright enough, easy to pack and transport, with long battery life and accessories that make it especially appealing for creators.
[IMG: Tim Pan]

Mr. Tim Pan
Founder & CEO, MediaStorm
The quality of the light feels very authentic and organic. The 0.1% dimming curve is highly usable, and the menu is simple and easy to use.
[IMG: Sun Wen]

Mr. Sun Wen
Digital Lighting Gaffer & Virtual Production Supervisor
[IMG: Teaser-Third-Party-Products]

Third-party accessories for Omnibar
Optimize your Omnibar with third-party accessories from DoPchoice, caligri, Chimera Lighting, Honeycrates, and LIGHTSOCK
Explore now

[H3] Interested?
If you would like to receive further information and offers, or you have a specific request regarding Omnibar, fill in the form and we will get back to you.
Get in touch
[IMG: Omnibar App]

Omnibar App
Smart setup and control for ARRI Omnibar fixtures
Learn more

[H2]
Meet Omnibar
[IMG: Omnibar Guided Tour - Video Thumbnail]
May 5, 2026
[H3] ARRI Omnibar - The Guided Tour
[IMG: Omnibar: TechTalk Thumbnail]
May 5, 2026
[H3] ARRI Tech Talk: Omnibar - Linear | Modular | Cinematic

[H3] Integrated product lines for seamless compatibility
For over 100 years, ARRI has been making tools that expand creative possibilities for filmmakers. Today, the uniquely wide range of interconnected camera products available from ARRI reflects the company's system approach, whereby individual products work well with third-party gear, but extra value is added if all components are from ARRI. To maintain third-party compatibility, ARRI establishes industry standards, works closely with other manufacturers, and provides its image processing technologies to developers of postproduction tools. But on set, nothing will unlock more features and ensure greater peace of mind than keeping everything ARRI.
[IMG: A complete ecosystem of connected tools.]

[H3] Live Cameras
[IMG: live-event-and-large-lens-application]

[H3] Cine Cameras
[IMG: Tom Faehrmann BVK_Heiko Knauer_© ARRI]

[H3] Camera Components
Camera Components
[IMG: JHR_0257]

[H3] Camera Stabilizer Systems
[IMG: ARRI Camera Stabilizers in Action including Artemis 2 and Trinity 2.]

[H3] Electronic Control System
Any camera. Any lens.
[IMG: ARRI hi5 handheld camera control unit, part of the arri camera systems ecosystem in action.]

[H3] PCA: Mechanical Accessories
The most complete camera system ever built
[IMG: LLS-1_1]

[IMG: Oscar News Story_leveled]
Mar. 16, 2026
[H3] ARRI technology and services support Oscar® winners, including Best International Feature Film
From epic literary adaptations to intimate, character-driven stories, the 98th Academy Awards® once again honored outstanding filmmaking—supported behind the scenes by ARRI cameras, lenses, and services across many of this year’s winners and nominees.

[IMG: 1-interview-adib-sobhani-woman-and-child-alexa-35-arri copie]
Feb. 24, 2026
[H3] Adib Sobhani shoots “Woman and Child” with ALEXA 35
DP Adib Sobhani joins director Saeed Roustayi for “Woman and Child,” an Iranian feature selected for the Main Competition at the 2025 Cannes Film Festival.

[IMG: Ben Cotgrove shoots Swatch commercial]
Dec. 22, 2025
[H3] Three fashionable commercials shot on ARRI’s ALEXA 35 camera
Cinematographers Emerson Duggan, Ben Cotgrove, and Nikita Khatsarevich share how the ARRI ALEXA 35 helped them craft three stylish, cinematic commercials

[IMG: 1-arri-alexa-35-dp-evgenia-alexandrova-interview-the-secret-agent]
Nov. 26, 2025
[H3] Evgenia Alexandrova AFC shoots “The Secret Agent” with ARRI’s ALEXA 35
Cinematographer Evgenia Alexandrova AFC describes her work on Kleber Mendonça Filho’s film, which won Best Director at the 2025 Cannes Film Festival.

[IMG: ARRI officially hands over stage and grants accreditation to Al-Hisn Big Time Studios, the largest VP project in the Middle East]
Oct. 22, 2025
[H3] ARRI officially hands over stage and accredits Al-Hisn Big Time Studios, the Middle East's largest VP project
Designed, planned, and built by ARRI and Sela, the Al-Hisn Big Time Studios near Riyadh significantly expands the production landscape in the region.

[IMG: Josée Deshaies]
Oct. 14, 2025
[H3] Josée Deshaies AFC on shooting “Urchin” with ALEXA 35
Tackling the issue of homelessness in London, actor Harris Dickinson’s critically lauded directorial debut used ARRI ALEXA 35 cameras and Master Prime lenses.

[IMG: ARRI Ensō lenses make their feature film debut on “Amrum”]
Oct. 9, 2025
[H3] ARRI Ensō lenses make their feature film debut on “Amrum”
Cinematographer Karl Walter Lindenlaub ASC, BVK speaks to ARRI about his work on director Fatih Akin’s historical drama, captured with the ARRI ALEXA 35, Ensō Primes, and Signature Zooms.

[IMG: DP Pierluigi Gigi Malavasi relies on ALEXA 35 and ARRI lighting for his work on TIFF debuting, romantic fantasy “Eternal Return”]
Sep. 29, 2025
[H3] DP Pierluigi Gigi Malavasi relies on ALEXA 35 and ARRI lighting for his work on romantic fantasy “Eternal Return”
Cinematographer Pierluigi Gigi Malavasi AIC brings a rich visual language to director Yaniv Raz’s latest film, blending romance, time travel, and magical realism in a visually striking narrative that recently premiered at the Toronto International Film Festival.

[IMG: ALEXA 35 Live captures Shirin David touring show in cinematic splendor]
Jul. 3, 2025
[H3] ALEXA 35 Live captures Shirin David touring show in cinematic splendor
ARRI collaborates with Adlib to elevate the visuals of a spectacular live music tour by seamlessly integrating the ALEXA 35 Live – Multicam System.