Training Example: Blackmagic Design – Review the Data, Give Your Score & Compare to the Real AI Evaluation

[IMG: Davinci Resolve 21]

[H2]
INTRODUCING DAVINCI RESOLVE 21
[H4] Download Free

[IMG: Lorem ipsum dolor sit amet]

[H2]
Introducing Fairlight Live
[H3]
The world’s most powerful software-based live audio mixer with support for SMPTE-2110 broadcast and immersive workflows!
[H4] Download Free

[IMG: Lorem ipsum dolor sit amet]

[H2]
Introducing the new Fairlight Live Audio Panel
[H4]
From $2,415

[H2]
Introducing Blackmagic URSA Cine 12K LF 100G
[H3]
Revolutionary digital film camera designed for cinematic live production with 100G Ethernet and SMPTE-2110 output up to 440fps!
[H4]
From $9,895

[IMG: Blackmagic URSA Cine Studio Viewfinder]

[H2]
New Blackmagic URSA Cine Studio Viewfinder
[H3]
New live production viewfinder for URSA Cine with bright 7″ touchscreen, camera control, sunshade and adjustable mount.
[H4]
Only $1,645

[IMG: Lorem ipsum dolor sit amet]

[H2]
New Blackmagic URSA Cine Immersive 100G
[H3]
World’s first immersive cinema camera for live immersive production with 100G Ethernet, dual 8Kx8K RGBW sensors and 16 stops of dynamic range.
[H4]
$30,795

[IMG: ATEM Constellation IP]

[H2]
New ATEM 4 M/E Constellation IP
[H3]
New Ultra HD switchers with native SMPTE-2110 100G Ethernet. Up to 64 inputs and outputs with powerful ATEM Constellation features!
[H4]
From $8,795

[IMG: Lorem ipsum dolor sit amet]

[H2]
New HyperDeck ISO Recorder 100G
[H3]
New HyperDeck records 8 channels of ProRes Ultra HD video to network storage, over redundant 100G SMPTE‑2022‑7 Ethernet links!
[H4]
From $5,495

[IMG: Lorem ipsum dolor sit amet]

[H2]
New Blackmagic Cloud Store Ultra
[H3]
Extremely high-performance network storage with 2 independent 100G Ethernet connections, RAID 5 support and Blackmagic Cloud sync!
[H4]
From $15,945

[IMG: Lorem ipsum dolor sit amet]

[H2]
New Blackmagic Media Dock Ultra
[H3]
Now you can use Blackmagic Media Modules for extremely high-performance removable network storage! Features 2 independent 100G Ethernet ports.
[H4]
From $3,295

[IMG: New Blackmagic SDI Expander 8x12G]

[H2]
New Blackmagic SDI Expander 8x12G
[H3]
Connect all your 12G-SDI gear to 100G Ethernet SMPTE-2110 IP systems. Supports 8 bi-directional connections and SMPTE-2022-7 redundancy!
[H4]
From $3,295

[IMG: New Blackmagic StudioBridge]

[H2]
New Blackmagic StudioBridge
[H3]
Bridge 8 x 10G Ethernet SMPTE-2110 connections into modern 100G SMPTE-2022-7 redundant systems, with 90W PoE++ on every port!
[H4]
From $2,745

[IMG: New Blackmagic UpDownCross 100G]

[H2]
New Blackmagic UpDownCross 100G
[H3]
Get 8 channels of Up, Down and Cross conversion over 100G Ethernet SMPTE-2110! Supports SD, HD and Ultra HD and SMPTE-2022-7 redundancy.
[H4]
From $2,679

[IMG: Blackmagic Ethernet Switch 820]

[H2]
New Blackmagic Ethernet Switch 820
[H3]
Get the high performance 8-port 100G Ethernet switch designed for SMPTE-2110 IP video! Features redundant PTP clock connections.
[H4]
From $2,525

[IMG: New ATEM Monitoring Rack Panels]

[H2]
New ATEM Monitoring Rack Panels
[H3]
Introducing the SMPTE-2110 IP video to 12G-SDI and HDMI monitoring converter, all built into an ATEM switcher rack mount control panel!
[H4]
From $1,095

[IMG: NAB 2026 Update Video]

[H2]
NAB 2026 Update
[H3]
Watch the video to learn about Fairlight Live, DaVinci Resolve 21, Blackmagic URSA Cine 12K LF 100G, Blackmagic 2110 IP converters and more!

[H4]
Watch Video!

[H2]
Introducing Fairlight Live
[H3]
The world’s most powerful software-based live audio mixer with support for SMPTE-2110 broadcast and immersive workflows!
[H4] Download Free

[IMG: Davinci Resolve 21]

[H2]
INTRODUCING DAVINCI RESOLVE 21
[H4] Download Free

[H2]
Introducing the new Fairlight Live Audio Panel
[H4]
From $2,415

[H2]
Introducing Blackmagic URSA Cine 12K LF 100G
[H3]
Revolutionary digital film camera designed for cinematic live production with 100G Ethernet and SMPTE-2110 output up to 440fps!
[H4]
From $9,895

[H2]
New Blackmagic URSA Cine Studio Viewfinder
[H3]
New live production viewfinder for URSA Cine with bright 7″ touchscreen, camera control, sunshade and adjustable mount.
[H4]
Only $1,645

[H2]
New Blackmagic URSA Cine Immersive 100G
[H3]
World’s first immersive cinema camera for live immersive production with 100G Ethernet, dual 8Kx8K RGBW sensors and 16 stops dynamic range.
[H4]
$30,795

[IMG: ATEM 4 M/E Constellation IP]

[H2]
Introducing ATEM 4 M/E Constellation IP
[H3]
New Ultra HD switchers with native SMPTE-2110 100G Ethernet. Up to 64 inputs and outputs with powerful ATEM Constellation features!
[H4]
From $8,795

[H2]
New HyperDeck ISO Recorder 100G
[H3]
New HyperDeck records 8 channels of ProRes Ultra HD video to network storage, over redundant 100G SMPTE-2022‑7 Ethernet links!
[H4]
From $5,495

[H2]
New Blackmagic Cloud Store Ultra
[H3]
Extremely high-performance network storage with 2 independent 100G Ethernet connections, RAID 5 support and Blackmagic Cloud sync!
[H4]
From $15,945

[H2]
New Blackmagic Media Dock Ultra
[H3]
Now you can use Blackmagic Media Modules for high-performance removable network storage! Features 2 independent 100G Ethernet ports.
[H4]
From $3,295

[IMG: Blackmagic SDI Expander 8x12G]

[H2]
Blackmagic SDI Expander 8x12G
[H3]
Connect all your 12G‑SDI gear to 100G Ethernet SMPTE‑2110 IP systems. Supports 8 bi-directional connections and SMPTE‑2022‑7 redundancy!
[H4]
From $3,295

[IMG: New Blackmagic StudioBridge]

[H2]
New Blackmagic StudioBridge
[H3]
Bridge 8 x 10G Ethernet SMPTE-2110 connections into modern 100G SMPTE-2022-7 redundant systems, with 90W PoE++ on every port!
[H4]
From $2,745

[IMG: New Blackmagic UpDownCross 100G]

[H2]
New Blackmagic UpDownCross 100G
[H3]
Get 8 channels of Up, Down and Cross conversion over 100G Ethernet SMPTE‑2110! Supports SD, HD and Ultra HD and SMPTE‑2022‑7 redundancy.
[H4]
From $2,679

[IMG: Blackmagic Ethernet Switch]

[H2]
New Blackmagic Ethernet Switch 820
[H3]
Get the high performance 8-port 100G Ethernet switch designed for SMPTE-2110 IP video! Features redundant PTP clock connections.
[H4]
From $2,525

[IMG: Cine Gear 2026]

[H2] Come and see us in Los Angeles!

[H3] 5-6 June 2026 Universal Studios Lot, Booth S1606

[H4]
Register Here!

[H2] Latest Videos

[IMG: nab-2026]

[H2]
NAB 2026 Update!
Watch the video to learn about Fairlight Live, DaVinci Resolve 21, Blackmagic URSA Cine 12K LF 100G, Blackmagic 2110 IP converters and more!

[IMG: davinci-resolve-20-2]

[H2]
DaVinci Resolve 20.2
Watch this video to learn about new features in DaVinci Resolve 20.2, including improvements to track patching and ripple trim controls, new effects, increased support for immersive workflows and more!

[IMG: nab-2025]

[H2]
NAB 2025 Update!
Watch the video to learn about Blackmagic PYXIS 12K, Davinci Resolve 20, HyperDeck Shuttle 4K Pro, Videohub Mini and more!

[IMG: Blackmagic Camera 2.1]

[H2]
What's New in Blackmagic Camera for iOS 2.1
Watch this video to learn what's new in the latest update for Blackmagic Camera for iOS.

[H2] Customer Stories

[IMG: Avatar; Fire and Ash Graded with DaVinci Resolve]

[H4]
January 19, 2026
[H2]
Avatar; Fire and Ash Graded with DaVinci Resolve
[H3]
Learn how colorist Tashi Trieu used DaVinci Resolve Studio to deliver 16 theatrical masters while maintaining consistency of Director James Cameron's aesthetic vision.

January 16, 2026

[H2]
Netflix’s Las Muertas Graded with DaVinci Resolve
Find out how DaVinci Resolve Studio was used to create a dark and rich aesthetic to help build the suspense for this acclaimed series, that is based on the Mexican novel.

[IMG: Media Storm Stops Time with Blackmagic Camera]

January 19, 2026

[H2]
Media Storm Stops Time with Blackmagic Camera
Blackmagic Camera, Blackmagic Camera ProDock and 60 iPhones create an illusion of time standing still around motionless celebrities for a China Fashion event.

[IMG: Gibson Goes Back to the Future with DaVinci Resolve]

January 15, 2026

[H2]
Gibson Goes Back to the Future with DaVinci Resolve
Find out why matching the style of the original film was critical to the color grade for the iconic guitar brand’s “Back to the Future” commercial spot.

[H1]
The Latest Stories from Splice

[IMG: Bleu De Chauffe in Manchester]

Bleu De Chauffe in Manchester
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[IMG: The French Saddler]

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[IMG: On a Wing and a Prayer]

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[IMG: Gale - Stay Away From Oz]

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[IMG: Aerosol Jezus Cozey]

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Find Reseller

Blackmagic 2110 IP Converters

[IMG: Blackmagic 2110 IP Converter 3x3G]

[H1]
Blackmagic 2110 IP Converters

[H2] Build 2110 IP Video Systems for Broadcast, Live Production and AV!

Blackmagic Design has a wide range of SMPTE-2110 IP video products, including standards converters, video monitors, audio monitors and even cameras! Plus they support Ultra HD using low cost 10G Ethernet! Most converter models are bidirectional, so they're fantastic to use on cameras when you need an extra program return! The rack mount models have an elegant design with a color LCD for monitoring, menus and diagnostics. All models conform to the SMPTE-2110 standard for IP video, including PTP clocks and even NMOS support so you can make connections using a video router panel. The Blackmagic 2110 IP Converter 3x3G model even includes a reference video output, timed to the 2110 PTP clock!
Find Reseller

[IMG: Build Professional SMPTE-2110 Broadcast Systems]

[H2] Build Large or Small SMPTE-2110 Broadcast Systems

Blackmagic Design has a wide range of SMPTE-2110 equipment for building anything from small mobile racks to broadcast trucks and entire stations. There are cameras, live production switchers, Ethernet switches, standards converters, monitors and audio monitors. Compact mini-converter models work with cameras and monitors, while rack-mount equipment suits larger installations. With such a wide range, you can build a fully native SMPTE-2110 system. Plus, most 10G Ethernet models can be remotely powered! Adding converters is also a low-cost way to bring your existing gear into SMPTE-2110, including switchers, disk recorders, streaming encoders, graphics systems, cameras and televisions.

[IMG: Conforms to the SMPTE-2110 IP Video Standard]

[H2] Conforms to the SMPTE‑2110 IP Video Standard

Blackmagic 2110 IP products conform to the SMPTE-2110 standard, which specifies the transport, synchronization and description of 10-bit video, audio and ancillary data over managed IP broadcast networks. They can re-sync SDI inputs to a common PTP clock, or external gear can lock to the reference output generated from the PTP clock. Supported standards include SMPTE-2110-20 for uncompressed video, SMPTE-2110-21 for traffic shaping, SMPTE-2110-30 for audio, SMPTE-2110-40 for ancillary data and many models support SMPTE-2022-7 for seamless redundancy. Plus, multicast support efficiently distributes video, audio and data from a single source to multiple destinations simultaneously.

[IMG: SMPTE-2110 via 10G Ethernet]

[H3] SMPTE-2110 via 10G Ethernet

10G Ethernet is very low-cost, perfect for affordable SMPTE-2110 IP video! Add Blackmagic 2110 IP Mini models to 10G Ethernet systems for an affordable and compact solution. Plus, most models have PoE, so one cable handles both video and power!

[IMG: SMPTE-2110 via Redundant 10G]

[H3] SMPTE-2110 via Redundant 10G

When building high-end broadcast systems, you need redundancy to protect against equipment failure. Models like the Blackmagic 2110 IP SDI to HDMI 12G-10 monitoring converter have two low cost 10G Ethernet ports for full SMPTE-2022-7 redundancy.

[IMG: SMPTE-2110 via Redundant 100G]

[H3] SMPTE-2110 via Redundant 100G

100G Ethernet carries 8 channels of Ultra HD video over a single optical fiber, drastically simplifying cabling! Plus, all Blackmagic 100G Ethernet products include two separate redundant connections for high-end broadcast reliability.

[IMG: Multi-Rate 12G-SDI for HD and Ultra HD]

[H2] Multi-Rate 12G‑SDI for HD and Ultra HD

Blackmagic Design offers multiple options for converting between broadcast SDI based video and SMPTE-2110 systems. All SDI-based converters feature the latest 12G-SDI video connections, so you can connect to traditional SDI broadcast gear and new IP-based broadcast systems with the same high-quality 10-bit video. 12G-SDI is multi-rate, meaning a single video BNC cable can handle both HD and Ultra HD equipment. All 12G-SDI converter models support 720p HD at 720p50 and 59.94p, 1080i HD interlaced at 1080i50 and 1080i59.94, and 1080p at 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. For Ultra HD, the supported standards are 2160p at 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p.

[IMG: Uses Simple 10G Ethernet for Low Cost]

[IMG: Uses Simple 10G Ethernet for Low Cost]

[H2] Use Simple 10G Ethernet for Low Cost

Some Blackmagic 2110 IP Converters are available in low-cost models with RJ-45 connectors for simple Cat6 copper cables, or SFP sockets for optical fiber modules. Using common Cat6 copper cables means you can build SMPTE-2110 systems at a dramatically lower cost! The cables are simple and 10G Ethernet switches are very common. In most cases, modern buildings already have 10G Ethernet cabling installed, so you can use what you already have! Plus, copper cables can remotely power devices such as converters and cameras. There are also models with SFP sockets for optical fiber Ethernet, supporting a wide range of off-the-shelf SFP optical modules for longer distance connections.

[IMG: Incredibly Easy to Install]

[H2] Incredibly Easy to Install

One of the biggest problems with SMPTE-2110 is needing an IT technician on standby to keep your video systems running. Blackmagic 2110 IP Converters solve this because they can connect point-to-point, so you don't need a complex Ethernet switch if you don't want one. That means you get all the advantages of SMPTE-2110 IP video with simple Ethernet cables, remote power and bidirectional video. It's just like a traditional SDI workflow. Simply plug cameras into rack converters and get camera control, program video, power and tally all over a single cable. Or connect an HDMI converter to a rack converter for remote monitoring. Everything automatically configures and just works!

[IMG: Incredibly Easy to Install]

[H3] Simple Point to Point

You can connect the converters point-to-point using a simple Ethernet cable. For example, between a rack converter and a monitor converter or a camera. The point-to-point connection auto-configures so you don't need to enter any settings, simply plug in the cable and it just works! This makes it the perfect solution for live events and outside broadcasts, as a single Ethernet cable makes connecting to cameras extremely simple, with all control, power and video running down one single cable.

[IMG: Connect via Ethernet Switch]

[H3] Connect via Ethernet Switch

When working in larger SMPTE-2110 systems such as broadcast, you can connect all your video gear to an Ethernet switch. Simply plug everything in and make connections between your equipment by routing on the switch panel. It works just like a large video router, with all connections made between your SMPTE-2110 devices. Plus, all Blackmagic 2110 IP products support the NMOS protocol for device discovery and connection management, making the entire system easy to configure and totally flexible!

[IMG: Mini Converter or Rack Mount Models]

[IMG: Mini Converter or Rack Mount Models]

[H2] Mini Converter or Rack Mount Models
ss

Blackmagic SMPTE-2110 IP video products come in different designs to suit different applications. The 2110 IP Mini models are compact enough to be hidden behind equipment. The 100G Ethernet rack-mount models feature a sophisticated front-to-back cooling design with multiple fans for extremely quiet operation. All 100G models include redundant SMPTE-2022-7 on every video port, plus some models have separate control and PTP Ethernet ports. A built-in LCD provides status information and access to settings menus. The front panel also includes a headphone connection and built-in speaker for audio monitoring! Plus, a front panel USB-C connection lets you update software and run the setup utility.

[IMG: 10G Ethernet Products]

[IMG: Blackmagic 2110 IP Converter 3x3G]
Blackmagic 2110 IP Converter 3x3G Front

[IMG: Blackmagic 2110 IP Converter 3x3G]
Blackmagic 2110 IP Converter 3x3G Rear

[H2] Blackmagic 2110 IP Converter 3x3G

The perfect 3 channel rack mount HD only SMPTE-2110 converter. With 3 separate 3G-SDI input channels and 3 separate 3G-SDI output channels, you can connect up to 3 x 3G-SDI video devices to SMPTE-2110 in the single converter. All 3 channels can be sent via a simple RJ-45 style 10G Ethernet connection, so you can use common low cost Cat6 Ethernet cables. This model also includes a reference video output that's timed to the PTP clock. There's also a front panel LCD for monitoring.

[IMG: Blackmagic 2110 IP Mini IP to HDMI]

[IMG: Blackmagic 2110 IP Mini IP to HDMI Top]
Blackmagic 2110 IP Mini IP to HDMI Top

[IMG: Blackmagic 2110 IP Mini IP to HDMI Left]
Blackmagic 2110 IP Mini IP to HDMI Left

[IMG: Blackmagic 2110 IP Mini IP to HDMI Right]
Blackmagic 2110 IP Mini IP to HDMI Right

[H2] Blackmagic 2110 IP Mini IP to HDMI

This model is designed for connecting a large screen television or computer monitor into SMPTE-2110 IP systems. Its tiny design means you can mount it behind the display! It works in all SD, HD and Ultra HD video standards up to 2160p60. So it's future proof! It has a standard 10G RJ-45 Ethernet connection, so you can use regular Cat6 Ethernet cables. The converter can be powered via Ethernet (PoE), so you don't even need to connect the power! Although a DC power supply is included!

[IMG: test]

[IMG: Blackmagic 2110 IP Mini IP to HDMI SFP Top]
Blackmagic 2110 IP Mini IP to HDMI SFP Top

[IMG: Blackmagic 2110 IP Mini IP to HDMI SFP Left]
Blackmagic 2110 IP Mini IP to HDMI SFP Left

[IMG: Blackmagic 2110 IP Mini IP to HDMI SFP Right]
Blackmagic 2110 IP Mini IP to HDMI SFP Right

[H2] Blackmagic 2110 IP Mini IP to HDMI SFP

This model connects large screen TVs, video projectors and computer monitors to optical fiber SMPTE-2110 IP systems. The small design can be mounted behind the display. It works in all SD, HD and Ultra HD video standards up to 2160p60. It has a standard SFP socket that supports a 10G optical fiber Ethernet module, so you can connect over long distances. It also supports 3G, 6G and 12G optical fiber SDI modules for regular SDI video compatibility. It powers from the included 12V DC power supply.

[IMG: Blackmagic 2110 IP SDI to HDMI 12G Front]
Blackmagic 2110 IP SDI to HDMI 12G Front

[IMG: Blackmagic 2110 IP SDI to HDMI 12G Rear]
Blackmagic 2110 IP SDI to HDMI 12G Rear

[H2] Blackmagic 2110 IP SDI to HDMI 12G

Designed for critical color accurate monitoring using the latest generation of OLED TVs, Blackmagic 2110 IP SDI to HDMI will convert 2110 IP or 12G-SDI video to HDMI in all SD, HD and Ultra HD video standards. You also get 3D LUTs for accurate calibration of HDMI displays. Plus the 2 channel XLR analog monitoring out supports remote level and custom delays for driving powered speakers. The front panel also includes an LCD, speaker and headphone socket for monitoring.

[IMG: Blackmagic 2110 IP Mini BiDirect 12G Top]
Blackmagic 2110 IP Mini BiDirect 12G Top

[IMG: Blackmagic 2110 IP Mini BiDirect 12G Left]
Blackmagic 2110 IP Mini BiDirect 12G Left

[IMG: Blackmagic 2110 IP Mini BiDirect 12G Right]
Blackmagic 2110 IP Mini BiDirect 12G Right

[IMG: Blackmagic 2110 IP Mini BiDirect 12G Controls]
Blackmagic 2110 IP Mini BiDirect 12G Controls

[H2] Blackmagic 2110 IP Mini BiDirect 12G

This bidirectional 12G-SDI converter is designed to connect broadcast cameras to SMPTE-2110 IP systems. It handles the SDI camera feed and the SDI program return in the one converter! Its small size means it can be used in-line. It also has a 5 pin XLR talkback headset connection! There's even talkback volume and a press to talk button! You get support for SD, HD and Ultra HD standards up to 2160p60. Plus it can be powered from the RJ-45 10G Ethernet or the included DC power supply.

[IMG: test]

[IMG: Blackmagic 2110 IP Mini BiDirect 12G SFP Top]
Blackmagic 2110 IP Mini BiDirect 12G SFP Top

[IMG: Blackmagic 2110 IP Mini BiDirect 12G SFP Left]
Blackmagic 2110 IP Mini BiDirect 12G SFP Left

[IMG: Blackmagic 2110 IP Mini BiDirect 12G SFP Right]
Blackmagic 2110 IP Mini BiDirect 12G SFP Right

[IMG: Blackmagic 2110 IP Mini BiDirect 12G SFP Controls]
Blackmagic 2110 IP Mini BiDirect 12G SFP Controls

[H2] Blackmagic 2110 IP Mini BiDirect 12G SFP

This converter is bidirectional and allows 12G-SDI cameras to connect to SMPTE-2110 systems over long distances using optical fiber. That means it handles the SDI camera feed and SDI program return in the one converter! It also has a 5 pin XLR talkback headset connection with volume and press to talk buttons! Plus it supports all SD, HD and Ultra HD standards up to 2160p60. The SFP socket will accept 10G Ethernet, 3G-SDI, 6G-SDI or 12G-SDI optical modules. It also includes a 12V DC power supply.

[IMG: Blackmagic 2110 IP Converter 4x12G PWR Front]
Blackmagic 2110 IP Converter 4x12G PWR Front

[IMG: Blackmagic 2110 IP Converter 4x12G PWR Rear]
Blackmagic 2110 IP Converter 4x12G PWR Rear

[H2] Blackmagic 2110 IP Converter 4x12G PWR

This converter adds SMPTE-2110 IP video capability to 12G-SDI broadcast equipment. The 1RU design includes 4 independent bidirectional converters, each converting between 12G-SDI and SMPTE-2110 IP video via RJ-45 10G Ethernet connections. High power is supplied to each 10G Ethernet port, so you can connect 4 Blackmagic Studio Camera 6K Pros simultaneously. Plus each channel features a 12G-SDI input and output and a shared 12G-SDI program return input that feeds all channels.

[IMG: Blackmagic 2110 IP Converter 8x12G SFP Front]
Blackmagic 2110 IP Converter 8x12G SFP Front

[IMG: Blackmagic 2110 IP Converter 8x12G SFP Rear]
Blackmagic 2110 IP Converter 8x12G SFP Rear

[H2] Blackmagic 2110 IP Converter 8x12G SFP

Add SMPTE-2110 IP video to 12G-SDI broadcast equipment! The 1RU design includes 8 independent bidirectional converters, each converting between 12G-SDI and SMPTE-2110 IP video. It features SFP sockets so it can use optical fiber Ethernet modules for long distance connections. Each channel has a dedicated 12G-SDI input and 12G-SDI output, plus a shared 12G-SDI program return input that feeds all channels, so you can send a single program feed to all connected devices from one connection.

[IMG: Blackmagic 2110 IP UpDownCross 12G Front]
Blackmagic 2110 IP UpDownCross 12G Front

[IMG: Blackmagic 2110 IP UpDownCross 12G Rear]
Blackmagic 2110 IP UpDownCross 12G Rear

[H2] Blackmagic 2110 IP UpDownCross 12G

This premium standards converter is designed to convert between 2110 IP video, 12G-SDI and HDMI in all television standards. At only ⅓ rack width, you get the highest quality conversion between al

[IMG: Fairlight Live]

[IMG: Download]

Fairlight Live
Free Download Now

Watch Fairlight Live Video

Fairlight Live is the world's most powerful live audio mixer. Unlike traditional hardware based audio mixers, Fairlight Live is a software-based mixer, so it can support incredibly powerful features such as spatial audio mixing and SMPTE-2110 broadcast workflows. It even supports full redundancy! Fairlight Live easily handles hundreds or even thousands of audio channels, depending on your computer. Plus, it works with standard computer audio or USB audio from ATEM live production switchers. This means you get a fully customizable live audio mixer with built-in effects and professional features such as a cue player, talkback busses, third-party plug-in support, snapshots and so much more!

[IMG: Download]

Fairlight Live
Free Download Now

Watch Fairlight Live Video

[H2] Engineer Your Own Live Mixes

Whether you're a podcaster using a professional audio mixer for the first time or a sound engineer used to working with hundreds of channels, Fairlight Live has everything you need! It's easy to get started as Fairlight Live can run on your laptop. As your production grows, Fairlight Live makes it easy to manage multiple cameras, microphones, headphones and mix-minus feeds. You can even add a professional Fairlight Live Audio Panel for greater speed and control. Fairlight Live handles the largest broadcasts, with support for hundreds of channels plus commentary, crowd mics, IFB and talkback. Fairlight Live also scales effortlessly from simple podcasts to complex live productions!

[IMG: alt]

[IMG: alt]

[IMG: alt]

[H4] Audio Podcasts

Fairlight Live is perfect for simple audio podcasts with two microphones. It offers low-latency monitoring and straightforward routing, allowing you to record and mix in real time. You can create clean professional live audio right from your laptop.

[H4] Video Podcasts

For video podcasts with multiple cameras, mics, mix-minus feeds and live switching, Fairlight Live gives you an integrated audio and video workflow. Your host can focus on their guests while the mixer handles complex routing and monitoring.

[H4] Live Sports Broadcasts

Fairlight Live can manage thousands of channels including commentary, crowd mics, IFB, and talkback. Engineers can control complex routing and multiple outputs in real time, keeping audio aligned with fast-paced camera switching and broadcast demands.

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[IMG: Fairlight Live]

[H2] Fully Customizable Software Mixer

Fairlight Live makes it easy to design your own mixer with flexible audio workflows that are perfect for any project from stereo to 5.1 surround or immersive formats. Add, modify or move inputs and busses at any time. You can easily change a four host panel into a remote guest setup, or route a stereo input to an ambisonics bus in seconds. Simply right-click the channel number in the mixer to update inputs. Or use the window menu for bus management and I/O patching. Audio channels can be managed in the tracks index to show, hide or rearrange inputs and busses. Plus there is an extensive native plugin library, EQ, dynamics and support for 3rd-party AU and VST plugins to enhance your mix.

[H2] Create a Fairlight Live Show

All of your productions are saved as a complete show including the mixer layout, routing, processing, cue player, snapshots and more! The file menu lets you quickly open existing shows or create a new one. To accelerate setup, factory templates for common workflows are included plus there are layouts to match supported ATEM live production switchers. Unique productions can be custom built in the new show dialog. If you are working on recurring events like talk shows or live sports you can save shows as user templates to instantly create the next episode based on your established mixer setup. Shows also include virtual soundcheck setups and media, plus key system settings such as solo mode.

[H2] Thousands of Input Channels!

From mono and stereo to LCR, 5.1 and fully immersive ambisonics, Fairlight Live supports hundreds and even thousands of input channels across a variety of formats. Each channel has built-in EQ, dynamics and panning options to control input levels, placement and clarity. Versatile format based panning includes 1D, 2D, 3D, and a spherical panner for ambisonics and spatial audio. Double-click a processing control in the mixer to open its control window, and press Escape to close. If your workflows include plug-ins, you’ll find four effects slots per channel with ChainFX hosting six-plugins per slot for up to 24 plugins per channel for your favorite native and 3rd party VST and AU effects!

[H2] Control Room and Studio Monitoring Controls

Fairlight Live provides control room monitoring for mix decisions as well as studio monitoring for talent and production, each serving a distinct role in live workflows. You can monitor studio inputs and outputs alongside the main control room meters in the monitoring panel. This lets you switch between sources and destinations to verify individual signal paths without affecting the on-air mix. The mixer can drive multiple speaker arrays and supports monitoring standard formats from mono to 5.1 and binaural, via headphones. For immersive workflows, you can use binaural head tracking with AirPods Pro to monitor ambisonic busses. This enables real-time positioning and checking of complex audio environments.

[H2] Build Your Own Bussing Structure

Create a customized bussing structure in Fairlight Live with flexible signal paths in standard formats that can be added, changed or rearranged dynamically as your show evolves. Use the bus management window via the window menu to add main, sub, aux or mix-minus busses, and choose their format, name and color. Assign input-to-bus or bus-to-bus routing in the bus assign window or right in the mixer! Save time by assigning multiple mixer channels simultaneously. Built-in intelligence offers automatic up/down bus conversion for cross format compatibility. You can route commentary to a main bus, crowd mics to sub-busses, in-ear talent feeds to mix-minus, and camera foldbacks to aux busses.

[H3] Main Busses
Main busses manage final output mixes for broadcast or streaming, including international versions with various languages or commentary as well as ensuring loudness compliance. Imagine routing a live sports feed to the main bus while creating an international English feed and monitoring LUFS levels.

[H3] Sub Busses
Sub busses act as direct patches from assigned channels, creating sub-mixes for easier management of related signals. In a talk show, guest microphones can be routed to a sub bus, allowing independent control of volume from the main mix, streamlining level adjustments during live production.

[H3] Aux Busses
Aux busses provide independent level and pan control with adjustable pre or post-fader switching. They can host group FX processing and create custom mixes for talent. Hosts and guests can receive personalized headphone mixes with processing applied while the main program mix remains untouched.

[H3] Mix Minus Busses
Dedicated mix-minus busses deliver talkback feeds with independent level and pan control and pre or post-fader routing. In live broadcasts, commentators hear the program mix or other commentators minus their own mic to prevent feedback, while keeping communication with producers or on‑air guests.

[H3] Output Matrix Busses for Multiple Destinations
You can use the output matrix busses for distributing unique mixes to multiple, separate destinations like stage monitors, translation feeds or recording devices without touching the main program mix! These versatile outputs receive audio from other busses, and are the live audio solution for creating tailored feeds for complex live productions. Supporting up to eight simultaneous output mixes, Fairlight Live offers quick matrix setup and routing with precise level controls so you can balance and feed a mix to the live stream, another to the broadcast truck and a third to the remote production teams. It’s all managed dynamically so you maintain consistency across every output, in real time!

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[H2] VCA Master Controls

When you need to streamline your mixes VCA masters can control the relative volume of multiple channels and busses at once with a single fader! Fairlight Live supports up to 128 VCA groups with options in the show settings dialog to move faders and allow mute or solo override. Click the VCA field on a mixer channel to assign a VCA group, name groups in the index and manage your VCAs in the VCA assign window. These are a great way to quickly adjust common inputs such as host microphones, or all drum inputs for a studio band. There’s even support for nested VCAs so one VCA master can adjust all commentator mics together, while nested VCAs allow independent control of play‑by‑play commentators.

[H2] Native Plug-ins and Processing

Every channel in Fairlight Live includes a full set of built-in effects, giving you fast access to essential processing. Each input or bus features a 6-band EQ, expander/gate, compressor, limiter and panner for detailed control over tone and dynamics. Fairlight Live also has an extensive library of 30 native plug-ins covering de-essers, reverb, delay and more. 3rd-party AU and VST plug-ins are also supported. The ChainFX plug-in can expand 4 effects slots to 24 plug-ins. Beginners will find handy presets to improve their mix, while professional audio engineers using complex effects chains will feel at home with precision and control under changing conditions, without interrupting the show.

[H2] Professional Broadcast Features

Fairlight Live has a complete set of broadcast features for live production reliability and integrated control. You can quickly setup and manage four talkback groups, communicate with talent and crew using cue/conference mode and route mix-minus busses to deliver clean feeds to remote guests. Additionally, the input settings dialog on each channel offers input delay which aligns signals for timing accuracy and remote gain for mic preamps adjustment at the source. When it’s show time, On-Air mode locks critical functions to prevent disruption of the live program. Plus you get audio follows video (AFV) for switching audio based on the live camera, dual inputs for redundancy and more!

[H2] Cue Player for Audio and MIDI Cues

Fairlight Live features a built-in cue player that provides two types of cues, supporting 16 audio cues for jingles, carts and stingers, and 16 MIDI cues for controlling hardware such as lighting and smoke machines. Each cue can be triggered via a user defined keyboard shortcut, cue button on a Fairlight Live console or 3rd party MIDI control. This allows precise timing during live productions. In a live talk show, a producer can instantly activate an ON AIR light and play a segment intro jingle without interrupting the main mix. This integration keeps cue playback consistent, repeatable and easy to manage during live operation reducing the risk of errors during broadcasts.

[H2] Test Tones and Signal Generators

Built-in signal generators provide you with a complete set of tools for system testing, calibration and troubleshooting. The generators include an oscillator, tones, noise, a media player capable of playing audio files from a folder such as music, and a slate with independent controls to trigger any of these sources. You can use the generator settings dialog to control the levels and settings. The I/O patching dialog routes each generator source to any channel, bus, or output for system checks and alignment without external hardware. During a live production setup, you can run tones to verify levels, use noise to check dynamics or play reference audio to confirm balance across outputs.

[H2] Record and Playback, Virtual Soundcheck

Capture your live performance and rehearsal using Fairlight Live’s built-in record and playback system! You can use these recordings for virtual sound check (VSC), allowing your talent and crew to rehearse with an accurate playback of the live mix, saving time and reducing on-air errors. A band’s rehearsal can be recorded and replayed via VSC, letting audio engineers fine tune levels, EQ, dynamics, panning and cues ahead of the broadcast. This is important as it means that when the show goes live, the audio is consistent, balanced, and optimized across all outputs. You get a professional, polished sound while giving your production team full control over every detail of the mix.

[H2] Solo Monitoring with AFL and PFL

Fairlight Live has pre-fader (PFL) and after-fader (AFL) solo monitoring, so you can listen and audition individual channels or busses without affecting the main mix. Switch between listening to an input before fader adjustments to confirm it’s set at a good level or after fader adjustments to hear how it will sound in the mix. Quickly switch between these two listening options with an Alt-click. A dedicated pre-fader backstop mode keeps a consistent reference so the listening level doesn’t jump suddenly when channels are soloed. With these solo options, you can PFL a commentator mic to check levels while listening to the program bus in immersive audio without interrupting the live output.

[H2] Snapshots for Instant Recall

Snapshots let you save and recall the entire mixer state, providing a powerful tool for show setup and real-time control. Fairlight Live snapshots can be sequenced between different segments such as broadcast commentary, half time performances or musical acts. Transition controls create smooth fades between snapshots. Each snapshot can store specific configurations for individual acts, while excluding parameters from recall when needed to retain flexibility. During a live sports broadcast with a halftime concert, you can instantly recall a snapshot for commentary, then seamlessly transition to the music mix, keeping levels, EQ and effects perfectly aligned for each segment.

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[H2] Designed for SMPTE-2110

Designed for SMPTE 2110 workflows, Fairlight Live provides full 2110 audio integration for modern IP-based broadcast production. The application supports primary I/O for seamless connection to 2110 networks, allowing engineers to extract specific audio streams from any source. PTP clock synchronization ensures precise timing across all devices, while sample level delay compensation keeps audio perfectly aligned wi